Ei Arakawa is a performance artist based in New York since 1998. He relocated to Los Angeles in 2019. His performances are created through collaborations with various people including contemporary artists and art historians. The means of these collaborations are diverse, with such figures physically participating as performers, and in other instances their works themselves making appearances. Arakawa also invalidates the boundary between the performers and the audience by inviting the audience to participate in an improvisational manner, thus converting them from the role of passive viewers to active subjects of the performance. In the context of contemporary art that is based on notions of individualism as articulated in western modern ideology, Arakawa’s act of establishing the intersection between collaborations with other artists and the audience as his very practice, can be seen as an intention to liberate his works from the subjective framework of the “self.”
Arakwa’s selected performances and exhibitions include Honolulu Biennial (2019); Liverpool Biennial (2018); Sculpture Project Münster (2017); Museum Ludwig, Cologne (2017); The 9th Berlin Biennale (2016); Museum Brandhorst, Munich (2015); Gwangju Biennial (2014); Whitney Biennial, New York (2014); Carnegie International, Pittsburgh (2013); Pavilion of Georgia at the 55th International Art Exhibition, la Biennale di Venezia (2013); Tate Modern, London (2012); 30th São Paulo Biennial (2012); and The Museum of Modern Art, New York (2012).