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| a r t i s t s p r o f i l e | ||
| Amy Adler Doug Aitken Nobuyoshi Araki Thomas Demand Jason Dodge Elmgreen & Dragset Naoya Hatakeyama Naoto Kawahara Yuki Kimura Sean Landers Daido Moriyama Kyoko Murase Jorge Pardo Erik Parker Jack Pierson Dean Sameshima Kara Walker |
Jorge Pardo | |
 Title
Installation View, Taka Ishii Gallery, 2002Artist Jorge Pardo Work Date 2002 Materials Mixed media (painting,floor lamps) Size Dimensions variable |
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 Title
Installation View, Taka Ishii Gallery, 2002Artist Jorge Pardo Work Date 2002 Materials Mixed media (painting,floor lamps) Size Dimensions variable |
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 Title
Untitled (Floor Lamp)Artist Jorge Pardo Work Date 2002 Materials Mixed media Size Information currently unavailable |
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| Born: 1963 in Havana, Cuba Lives and works in Los Angeles |
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| EDUCATION | ||
| BFA Art Center College of Design, Pasadena, CA University of Illinois at Chicago |
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| SOLO EXHIBITIONS | ||
| 2002 | pkm Gallery, Seoul Taka Ishii Gallery |
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| 2001 | Galerie Ghislaine Hussenot, Paris Galerie Gisela Capitain, Koln Montblanc Kulturstiftung, Hamburg Friedrich Petzel Gallery, New York China Art Objects, Los Angeles |
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| 2000 | Dia Art Foundation, New York Kunsthalle Basel (cat.) Galeria Marta Cevera, Madrid Brian Butler, 1301 PE Los Angeles |
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| 1999 | The Fabric Workshop, Philadelphia Royal Festival Hall, London (cat.) neugerriemschneider, Berlin Swish I'm a Fish, Museum Abteiberg. Monchengladbach (cat.) Brian Butler, Los Angeles |
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| 1998 | Jorge Pardo. 4166 Sea View Lane, Museum of Contemporary Art, Los
Angeles (cat.) Ghislaine Hussenot/Phillipe Rizzo, Brussels Patrick Painter, Santa Monica Baby Blue, Galerie Gisela Capitain, Cologne Wool, Cotton, Latex, Wax & Steel, Friedrich Petzel Gallery, New York Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg |
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| 1997 | Lighthouse, Museum Boijmans Van Beuningen, Rotterdam Museum of Contemporary Art, Chicago (cat.) Garnish and Landscape (w/ Tobias Rehberger), Gesellschaft fuer Gegenwartskunst, Augsburg(cat.) |
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| 1996 | It Hangs Out There, Friedrich Petzel Gallery, New York neugerriemschneider, Berlin |
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| 1995 | Nafta, Tom Solomon's Garage, Los Angeles Borgmann Capitain Gallery, Cologne |
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| 1994 | Zeichnungen, neugerriemschneider, Berlin One Component of the Work Is That the Show Will Have Many Titles, One of Them Being: MoCA.Three Prints Per Second, Friedrich Petzel / Nina Borgmann, New York |
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| 1993 | Person's Weekend Museum, Tokyo (cat.) Tom Solomon's Garage, Los Angeles |
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| 1992 | Terrain Gallery, San Francisco | |
| 1991 | Luhring Augustine Hetzler, Santa Monica | |
| 1990 | Tom Solomon's Garage, Los Angeles Petersburg Gallery, New York |
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| 1988 | Bliss Gallery, Pasadena | |
| GROUP EXHIBITIONS | ||
| 2001 | Reverb, Jorge Pardo and Gilberto Zorio, Dia Center for the Arts,
New York Comfort, curated by Kristin Chambers, Cleveland Center for Contemporary Art Public Offerings, Museum of Contemporary Art, Los Angeles In Between: Art and Architecture, MAK Center for Art and Architecture, Los Angeles The Beauty of Intimacy, Lens and Paper, Gemeentemuseum Den Haag, Beau Monde: Toward a Redeemed Cosmopolitanism: SITE Santa Fe Forth International Biennal, Santa Fe Collaborations with Parkett, 1984 to Now", Museum of Modern Art, New York |
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| 2000 | Made in California: Art, Image and Identity, Los Angeles County
Museum of Art 1989, curated by Ilene Kurtz, David Kiehl & Patrick Moore, Curt Marcus Gallery, New York Talleres: Art from the Guadalajara Workshops, Mexican Cultural Institute Threads of Dissent, The Fabric Workshop, Philadelphia Against Design, curated by Steven Beyer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Palm Beach Institute of Contemporary Art, Museum of Contemporary At, San Diego, Kemper Museum of Contemporary Art, Kansas City, MO Double Space, curated by A.S. Bessa, Apex Art Curatorial Program, New York Objecthood 00, Rethymnon Centre for Contemporary Art, Rethymnon Strange Paradise, Casino Luxembourg Quoitidiana, Castello di Rivoli, Torino Rags to Riches, curated by Petra Bungert and Alexandra Dimentieva, Center for Contemporary Non-Objective Art, Brussels (cat.) What If, Moderna Museet, curated by Maria Lind and Liam Gillick, Stockholm Quiet Life, Blickle Stiftung Fast Forward, Kunstverein Hamburg Strange Paradise, Casino Luxembourg |
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| 1999 | Threads of Dissent, The Isabella Stewart Gardner Museum, Boston
Objecthood 00, Hellenic American Union, Athens Comfort Zone: Furniture by Artists, curated by Amy Wolf, The Public Art Fund, PaineWebber Art Gallery (brochure) Jorge Pardo (with Bob Weber), China Art Objects, Los Angeles Drawn by..., Metro Pictures, New York Talleres: Art From Guadalajara Workshops, curated by Carlos Ashida, Track 16 Gallery, Santa Monica DConstructivism: life back in to art , Brisbane Convention and Exhibition Center Wonder world - notes for a solid collection, Newsantandrea, Savona Konstruktionszeichnungen, Kunst-Werke, Berlin |
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| 1998 | Light X Eight: The Hanukkah Project, Jewish Museum, New York Richard Hawkins/Jorge Pardo, Brent Petersen Gallery, Los Angeles Chaos, Control, Chaos, Control. You Like? You Like, curated by Anne Lemieux, Elias Fine Art, Boston artranspennine, with Langlands and Bell, Atelier van Lieshout and Francois Quardon, The Henry Moore Institute, Leeds, curated by Penelope Curtis (cat.) Dad<<s Art, neugerriemschneider, Berlin ___, 1994untitled,1994(meettim&burkhard)branYusi,1997, Grazer Kunstverein FAST FORWARD "archives", Hamburger Kunstverein, Hamburg Fast Forward / Body Check, Kunstverein Hamburg Works for the Ideal Home, Art Metropole, Toronto Scratches on the surface of things, Museum Boijmans Van Beuningen Marienhof - Konzepte der Kunst, Rathaus, Munchen Kunst fYr Bundestagsneubauten, Deutscher Bundestag, Berlin Jason Meadows / Jorge Pardo, Brent Petersen Gallery, Los Angeles Mai '98, Kunsthalle Koln (cat.) Minis, Midis & Maxis, Kunstlerhaus Palais Thurn und Taxis, Bregenz |
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| 1997 | Angel Hair EX. LA., Dogenhaus Galerie, Leipzig Check in, Museum fur Gegenwartskunst, Basel Hospital, Galerie Max Hetzler, Berlin Kunst..Arbeit, Aus der Sammlung SudWest LB, Stuttgart, Germany (cat.) KolnSkulptur 1, Koln, Germany (catalogue pp. 122-125) Kevin Appel, Francis Cape, Jorge Pardo, Janice Guy, New York, curated by Margaret Murray Assuming Positions, Institute of Contemporary Art, London (cat.) Home Sweet Home, Deichtorhallen, Hamburg (cat.) Rooms With a View. Environments for Videos, Guggenheim Museum Soho, New York, curated by Nancy Spector (including Vito Acconci, Angela Bulloch, and Dan Graham) Laying Low: Postminimalism/Scatter Art, Kunstnernes Hus, Oslo, Norway (cat.) Bastards of Modernity, Angles Gallery, Santa Monica Skulptur. Projekte in Munster 1997(cat.) Cruising L.A., Galeria Soledad Lorenzo, Madrid (cat.) |
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| 1996 | True.BLISS., Los Angeles Contemporary Exhibitions (cat.) Just Past: Contemporary and Permanent Collection 1975-1996, MoCA Los Angeles Richard Telles Gallery, Los Angeles (with Jim Iserman) Friedrich Petzel Gallery, New York Ab Fab, feature inc, New York Blum & Poe, Santa Monica Defining the 90's, Museum of Contemporary Art, Miami (cat.) Projekte/Projects:Art at the New Trade Fair of Leipzig, Leipzig (cat.) Multiple Pleasure, Tanya Bonakdar Gallery, New York Dark Memories Hovering, Marc Foxx Gallery, Santa Monica Traffic, CAPC Musee d'Art Contemporain, Bordeaux, France (cat.) le labyrinthe moral, Centre d'Art Contemporain, Dijon nach Weimar, Kunstsammlung zu Weimar, Weimar (cat.) wunderbar, Hamburger Kunstverein, Hamburg (cat.) Faustrecht der Freiheit: Sammlung Volkmann, Kunstsammlung Gera Alle Neune, ACC Galerie, Weimar groupshow, Friedrich Petzel Gallery, New York Ranch, Peter Strauss Ranch, Santa Monica Jim Iserman, Jorge Pardo, Richard Telles Fine Art, Los Angeles Affairs, Institut fﾙr Gegenwartskunst, Wien Der Umbau Raum, Kunstlerhaus Stuttgart, Stuttgart Legende I, Museet for Samtidskunst, Roskilde Blum & Poe, Los Angeles, USA Ab Fab, feature inc., New York |
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| 1995 | Affairs, Institut fuer Gegenwartskunst, Wien Hawaii, (with Pae White, Mitchell Kane, & Mythter), Friedrich Petzel Gallery, New York Alles was modern ist, Galerie Baerbel Graesslin, Frankfurt Dark Memories Hovering Below the Transparent Screen of the Present Will Project Images of Reality in Sharp Silhouette, to Create the Pleasurable Effect of a Double World, Marc Foxx, Santa Monica, CA Le Consortium, Dijon |
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| 1994 | filmcuts, neugerriemschneider, Berlin, Germany (video) Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schuermann, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (cat.) 1994 Saturday Night Fever, curated by Michael Cohen and Catherine Liu, Tom Solomon's Garage, Los Angeles Interdisciplinary, Woodbury University, Burbank Temporary Translation(s) - Kunst der Gegenwart und Fotografie - Sammlung Schuermann, Deichtorhallen Hamburg (cat.) Neue Moebel fuer die Villa, Villa Merkel, Esslingen Lost Paradise, Kunstraum Wien, Vienna Pure Beauty: Some Recent Work From Los Angeles, curated by Ann Goldstein, traveled to Museum of Contemporary Art, Los AngeleAmerican Center, Paris Backstage, Kunstmuseum Luzern Untitled Groupshow, Metro Pictures, New York. Love in the Ruins, Long Beach Museum of Art, Long Beach (cat.) Breakdown , MOCA ,San Diego (cat.) Museum auf Zeit, slide projections at Museum Fridericianum, Kassel |
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| 1993 | Backstage, Kunstverein Hamburg Pardo- Segar- Rirkit Tiravanija- Tobier, 1301 Gallery, Santa Monica Displace Michael Cohen Gallery, New York Summer Group Exhibition, Anderson O'Day Gallery, London 11- Artists organized by Tim Neuger, Kunstlerhaus Bethanien, Berlin 6- Artists organized by Tim Neuger, Galerie Max Hetzler |
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| 1992 | Gallery Artists Group Show, Thomas Solomon's Garage, Los Angeles
Tele Mundo, Terrain Gallery, San Francisco Very, Very, Very... Shoshana Wayne Gallery, Santa Monica 5 Artists Summer Show, Terrain Gallery, San Francisco Mars Gallery, Tokyo Object/objet (with Stephen Berens, Elizabeth Bryant, Anne Walsh) El Camino College Art Gallery, Torrance California: North and South , Aspen Museum of Art, Aspen Art Center College of Design, Pasadena (cat.) |
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| 1991 | Phenon/Phenotype: A Group Therapy, Terrain Gallery, San Francisco
L.A. Times, curated by Jackie Christ, Boise Museum of Modern Art, Boise Facing the Finish, curated by John Caldwell and Robert Riley, San Francisco Museum of Modern Art, San Francisco, CA; Santa Barbara Contemporary Arts Forum (cat.) |
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| 1990 | Omnia ad Majorem Dei Gloriam, curated by Peter Wright, Grace Cathedral,
San Francisco Improvements on the Ordinary, curated by Dan Peterman, Randolph Street, Chicago Luhring Augustine Hetzler, Santa Monica New Sculpture (with Craig Watson), Terrain Gallery, San Francisco |
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| 1989 | H20 , curated by Thomas Solomon, Beverly Hills | |
| 1987 | Graduate Group Show, Art Center College of Design, Pasadena | |
| BIBLIOGRAPHY | ||
| 2001 | Goodman, Wendy, "White Hot", Elle Decor, October 2001,
pp.223-227 Relyea, Lane, "What You Say Is What You See", ArtForum, October 2001, pp.51-52 MacAdam, Barbara, "Electrify Me!", ArtNews, October, 2001, p.171 (Ill.) Spaid, Sue, "Comfort", ArtText, no.74, 2001, p.82-83 Cambell, Clayton, "Public Offerings" D'Art International, Fall, 2001, pp.25, 27 Nico, Israel, "Public Offerings", Artforum, Sept. 2001, p.190 Cutter, Kimberly, "East Side Story", W, Sept. 2001, pp.204-208 Ed. Burkhard Riemschneider and Uta Grosenick, "Icons, Art Now", Taschen, 2001 Schjeldal, Peter, "Desert Songs", The New Yorker, Aug. 13, 2001, pp. 82-83 Griffin, Tim. "Electrify Me", Time Out New York, no.303, July 12-19 2001 Rizk, Mysoon, "Comfort", New Art Examiner, July, August, 2001, p.90 Richard, Frances. "Electrify Me", Artforum.com, July , 2001 Geer, Suvan, "Viewpoint", Artweek, July 12, 2001, p.5 Knight, Christopher, "Art For School's Sake", Los Angeles Times Calendar, July 8, 2001, p.67 Ed. Susan Delson, "Inspirations", Museums Los Angeles,Vol.3, #1. Spring/Summer, 2001, p.128Ed. Vendrame, Simona, "Hybrids", Tema Celeste, No. 85, May-June 2001, p.108 Chang, Krystal, "Architectural Survey", Metropolis, May, 2001 "Lamps in the Lobby", Artnet.com, May 3, 2001 Simpson, Bennett, "The Sociology of Jorge Pardo", ArtNexus, No.40, May- July 2001, Cover, Inset, pp. 48-52 Tumlir, Jan, "'90s Art in Los Angeles", Art & Text, No.71 November 2000 - January 2001, p.42-51 Muchnic, Suzanne, "That 90's Show", Los Angeles Times Sunday Calendar, April 1, 2001. pp.4-5, 75, 76 Vogel, Carol. "Atrium Attractions", NY Times, April 27, 2001, p.E32 Hornbrook, Kathy, "Museum of Contemporary Art Reclaiming the 'Comfort Zone'", The Plain Dealer, April 27, 2001 Pagel, David, "Before Their Art Was Famous", Los Angeles Times, April 4, 2001, p. F8 "MOCA Examines Points of Emergence Of Today's Significant Artists", Antiques & The Arts Weekly, March 30, 2001 Yannopoulos, Charles, "Digital Discomfort", Clevescene.com, March 29, 2001 Litt, Steven, "A Spunky Vision of Domestic Future in The Modem Age", The Plain Dealer, March 18, 2001 Utter, Douglas Max, "Cold Comfort", Cleveland Free Times, March 14-20, 2001, p.26 "The Future of Comfort", Flash Art International, March-April, 2001 Kaufman, Kim,"Number 4", Artivents.com, March 6, 2001 "Calendar, Comfort...", Dwell, March, 2001 Glueck, Grace, "Jorge Pardo", The New York Times, February 2, 2001, p.E37 Chambers, Kristin, Comfort: Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art, exhibition catalogue p. 37, 63-66 Simpson, Bennett, "Specific Spectacles: Art & Entertainment", Art & Text, No. 71, November 2000 - January 2001, pp. 70-77 Lﾙtticken, Sven "Het schilderi en de afvalbak", De Witte Raaf 89, January February 2001, pp. 11 - 13 (Ill) Parkett, Collaborations & Editions Since 1984, Museum of Modern Art, New York. exhibiton catalogue, p.186-7 Poels, Jan-Willem. "On The Cusp", Frame, No. 18, Jan/Feb, 2001, p.14 (reproduced) Singerman, Howard. "Jorge Pardo", Public Offerings (exhibition catalogue), p.120-127 (Ill.) Erikson, Emily,"Preview: U.S. Shorts", Artforum, January, 2001 Relyea, Lane. "L.A.-Based and Superstructure", Public Offerings (exhibition catalogue), pp. 263, 266 |
|
| 2000 | Siegel, Katy, "Best of 2000", Artforum, December 2000,
p.116 Barron, Stephanie, Bernstein, Sheri & Fort, Ilene Susan, Made in California: Art, Image and Identity, Los Angeles County Museum of Art, p.269 Attias, Laurie, "Elysian Fields", Frieze, November-December 2000, p.109 Schafaff, Jorn, Steiner, Barbara, eds, Jorge Pardo, Hatje Cantz Verlag Blair, Dike, "Thinking Outside the Box", Time Out New York, September 14- 21, 2000, p.111 Muller, Markus, "Outside Event", Space, Issue Three, 2000, pp.26-28 Miles, Christopher, "Flat Wares", Artforum, May 2000, p.87 Against Design, Institute of Contemporary Art, University of Pennsylvania Plagens, Peter, "Against Design", Newsweek.com Sozanski, Edward,"Along the Fuzzy Boundary between Art and Design", The Philadelphia Inquirer, February 13, 2000, p.A11 Hamilton,William, "New Art's Interior Move", New York Times, February 3, 2000, pp.F1, F8 "Very New Art: Jorge Pardo", Monthly Art Magazine Bijitsu Techno, Vol.52, No.782, January 2000, pp.180-181 |
|
| 1999 | Murphy, Dominic, "Rogue's Gallery", The Guardian Weekend,
May 22, 1999, pp.60-61 Temin, Christine, "Warning: Threads of Dissent May Irritate Skin", Boston Globe, November 3, Sherman, Mary, "Weaving a Lasting Message" Boston Sunday Herald, October 31, 1999, p.76 Gantz, Jeffrey, "Threads of Dissent", Boston Phoenix, October 29, 1999, pp. 1, 15 Objecthood 00, Hellenic American Union, Athens, 1999, pp.62-65 (cat.) Pardo, Jorge, "La Oficina" , Trans, Volume 6 Sanders, Joel, "Frames of Mind", Artforum, November 1999, pp.126-131, 157 Ferguson, Russell, "What is Lost for Art is Gained for Life", Parkett, No. 56, 1999, pp.122-129 Vegh, Christina, "The Tonality of Contradictory Settings", Parkett, No.56,1999, pp.130-139 van Winkel, Camiel, "Off the Table", Parkett, No.56, 1999, pp.142-47 Frangenberg, Frank, "Raise High the Room Beam", Parkett, No.56, 1999, pp.148-150 Bush, Kate, "4160 Sea View Lane", Parkett, No.56, 1999, pp.152-159 Edition for Parkett: Jorge Pardo, Parkett, No.56, 1999, p.160 erbstreuth, Peter, Jorge Pardo, Kunstforum, July-August 1999, pp.351-352 Goldsmith, Diane, 'It's all in how you see it', The Philadelphia Inquirer, Home & Design, Friday May 28, Front page + E8 Haeg, Fritz, "Interview with Jorge Pardo," L.A. Design (Index Magazine Special Section), May/June 1999, pp.13-15 Tumlir, Jan, Jorge Pardo Untitled, catalogue essay, The Royal Fesitival Hall, London Brackman, Yvette, "Maximizing the Pastoral", ARTBYTE, April-May 1999, p.62 Kwon, Miwon, "Richard Serra & Jorge Pardo," Documents, Winter 1999, pp.48- 54 Ouroussoff, Nicolai, "Jorge Pardo," Art Issues, no. 57, March/April 1999, p.41 Hainley, Bruce, Jorge Pardo, Artforum, Dec, 1998 Vegh, Christina, "4166 Sea View Lane-ein Kunstlerhaus von Jorge Pardo", Werk, Bauen+Wohnen, vol 3, March 1999, pp.46-51 |
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| 1998 | Levere, Jane, "Artist on the Edge", Robb Report, April
1998, p.133 "Art at the turn of the Millennium", editors Burkhard Riemschneider, Uta Grosenick, Taschen, pp.374-37 Avgikos, Jan, "The Shape of Art at the End of the Century," Sculpture, April 1998, pp.46- 53 Art Now: International Gallery Guide, "Jorge Pardo: 'Lighthouse'", February 1998, pp. 10-11 Basualdo, Carlos, "Jorge Pardo," Cream Contemporary Art in Culture, 1998, pp.320-323 Codrington, Andrea, "Public Eye: Furniture in Art", The New York Times, January 1998, p.F2 DeBord, Matthew, "LA casual + NY critical =a New Urbanity," Siksi, Summer 1998, p. 56-61 Drohojowska-Philp, Hunter, "Welcome to the House that Jorge Built," LA Times Calendar, 11 October 1998, pp. 62, 82 Firpo, Erica, "Home Improvement", Los Angeles Downtown News, Los Angeles, Vol. 27, Number 45, 26 October 1998, p.10 Frangenbuerg, Frank ,"Die Moral der Kunst", Kolner Stadt-Anzeiger, No. 50, Saturday/Sunday, 28 February -1 March 1998, p. 39 Holmqvist, Karl, "Hospital", Flash Art, March/April 1998, Vol. XXXI, no. 199, p.79 Ise, Claudine, Los Angeles Times, Friday, 18 September 1998 Hainley, Bruce, "Jorge Pardo," Artforum, December 1998, pp.135-6 Kandel, Susan, "Home Work," Artforum, November 1998, pp. 92-93. Knight, Christopher, "Stay-at-Home Artist," LA Times Calendar, 17 October 1998, F14 Dziewior, Yilmaz, "Interview mit Jorge Pardo," Kunsthalle Koln May 98. May 1998 Lewis, Christopher, "Pardo's House on a Hill", Art in America, December 1998, p. 35 Liebmann, Lisa, "Jorge Pardo," Artforum, December 1998, p.96 Rossmann, Andreas, "Landnahme fur die Kunst", Frankfurter Allegmeine Zeitung 10 August 1998, p.35 Schneider, Iris, "Noon Art," Los Angeles Times Best Bets, 10-11 October 1998 Schulze, Karin, "Welcome to the Sculpture," Spiegel, November 1998, pg. 6- 10 Smith, Roberta, The New York Times, 12 June 1998, p. E37 Steiner, Barbara, "Ein Haus, Das Kein Haus Ist", Neue Bildende Kunst , August- September 1998, p. 24-29 |
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| 1997 | Brooks, Rosetta, "Jim Iserman and Jorge Pardo at Richard Telles",
LA Weekly, 27 December -2 January 1997, pg. 41 Buchloh, Benjamin, "Sculpture Projects in Muenster", Artforum, September 1997, pp. 115-117 Bush, Kate, "Design for Life", Frieze, September/ October 1997, Issue 36, pp.52-57 Decter, Joshua, Artforum, Summer 1997, p. 142 Feaver, William, "Frankly, this Place is Going Down the Drain," The Observer, London, 20 July 1997 The Guardian- London, "Is this the Cutting Edge, 22 July 1997 Grabner, Michelle, "Jorge Pardo: Living Without Boundaries", Sculpture Magazine, December 1997, pp. 38-41 Hainley, Bruce, "Bastards of Modernity", Artforum, March 1997, pp.98-9 Hampstead & Highgate Express- London, "Position of Pretension", August 1, 1997 Iannaccone, Carmine, frieze, March/April 1997, pp. 83-4 Ingleby, Richard, "Down the Pan", The Independent- London, 25 July 1997 Kathryn Hixson, New Art Examiner, June 1997, p. 36 Killiam, Brad "Veneer Plywood", Art Muscle, January-February, 1997, p. 22 Musgrave, David, Art Monthly- London, No. 209, September 1997, pp.40-42 Sherlock, Maureen, "The Sentimental Education of a Solitary Walker", New Art Examiner, September 1997, pp.25-31, 69 Slyce, John, What's On- London, 27 August 1997, p.17 Smith, Roberta "A Channel-Surfing Experience with Beanbag Chairs and Gym", The New York Times, 25 April 1997, p. C22 Sonna, Birgit, "Kunst mit Altmuhl und Amobe",Suddeutsche Zeitung, Nr.27, p. 14 Walker, Hamsa, Dialogue, May-June, 1997, pg. 25 Ziegler, Ulf Erdmann, "Open City: Report from Munster", Art in America, September 1997, no.9, pp.34-39 |
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| 1996 | Guth, Peter, "Menschenstroeme im Licht-Atem", Frankfurter
Allgemeine Zeitung, 20 March 1996 , p. 37 Hegewisch, Katherina, "Die Kunst der drei Grazien", Wochenpost 21 March 1996, pp.38-39 Herbstreuth, Peter "The First Summer of Art in the Nineties", Atelier, International number 831, November 1996, pp.17-36 Herbstreuth, Peter "In ig fuereinander bestimmt", Der Tagesspiegel, 15 March 1996, No. 15567, p.23 Herbstreuth, Peter "Jorge Pardo in der Galerie neugerriemschneider", Das Kunst- Bulletin, #10, 1996, p. 36 Husemann, Ralf, "Schrille Toene: Die Kunst in neuen Leipziger Messebau", Sueddeutsche Zeitung 15 March 1996: 14 Manetas, Miltos "Jorge Pardo", Flash Art, Summer 1996, p. 132-133 Pagel, David, Los Angeles Times, Friday, 27 November 1996, p. F30 Schmerler, Sarah, "4 Rms,Video Vu", Time Out New York, May 1-8, 1996, p.36 Volk, Gregory. "Jorge Pardo at Friedrich Petzel", Art in America, December 1996, p. 93 |
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| 1995 | Dziewior, Yilmaz "Jorge Pardo", Artforum 34, #3 November
1995, p. 100 Greene, David A., "I Saw the Light (and Space)...and It Was Good", Los Angeles Reader, 21 April 1995, p.24 Mueller, Sabine "Der Betrachter Prallt Zurueck", Koelner Stadt-Anzeiger, 2 June 1995, p. 14 Schneider, Christiane, "Jorge Pardo", Frieze, September/October 1995, p. 81-83 |
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| 1994 | Avgikos, Jan, Artforum, April 1994 Choon, Angela, "Openings", Art & Antiques, February 1994, p. 26 Clothier, Peter, "Pure Beauty", Art News 94, #2 February 1994, p. 132. Cohen, Michael, "Pachuco Style",Flash Art, 27 # 176, May/June 1997, pp. 87-90 Fricke, Harald,"Kunst in Berlin jetzt: Jorge Pardo", die tageszeitung, Berlin, May 1994 21: 18 Goldstein, Ann, Pure Beauty. cat. Paris: The American Center, 1994 Reader, 21 April 1994, p. 24 Kanjo, Kathryn, Breakdown Exh. cat. San Diego: San Diego Museum of Art, 1994 Schneider, Christiane "Jorge Pardo", Jahresring 41, pp. 34-35 Pinkus, Robert L., "Show's ideas are too clever, too obvious and forgettable", San Diego Union Tribune, 5 Mayn 1994, p. 32 Schmidt-Wulffen, Stephan ,"Notizen Zu Skulptur Und Gegenwart", Neue Bildenede Kunst, February-March 1994, pp. 16-21 Texte zur Kunst, November (cover illustation.) Wilson, William, "Pure Beauty: Irony Becomes Stale Second Time Around", Los Angeles Times, 27 September 1994, p. F14 |
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| 1993 | Bellars, Peter, "A Four-Man Show with New Ideas", Asahi
Evening News, 21 March, 1993, p.9 Blum, Timothy, and George Porcari, Jorge Pardo Exh. cat. Tokyo: Person's Weekend Museum, 1993 Greene, David A., "Jorge Pardo at Thomas Solomon's Garage"Art Issues 29, September- October, p.38 Pagel, David, "Young Lamplighter", Los Angeles Times, Thursday, 12 April 1993, p. F8 Scarbourough, James, "Jorge Pardo: Thomas Solomon's Garage", Flash Art 26 # 172, October 1993, pp. 88-89 |
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| 1992 | Kane, Mitchell, Curator for Pressure on the Public program and catalog
with 10 artists, The Hirsch Farm Project, Hillsboro, Wisconsin, 1992 Knight, Christopher, "10 California Artists: 'Facing the Finish", Los Angeles Times, 1 May 1992, F24 |
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| 1991 | Geer, Suvan, "Jorge Pardo Gets Honest About Hype", Los
Angeles Times, 2 August 1991, p. F18 Kandel, Susan, "L.A. in Review: Jorge Pardo", Arts, October 1991, pp 102-3 Riley, Robert "Remodeling: Notes on Nayland Blake, Jim Campbell, James Luna, Jorge Pardo, and Millie Wilson" in Facing the Finish Exh. cat. San Francisco: San Francisco Musum of Modern Art, 1991 Van Proyen, Mark "Born to Shop: 'Facing the Finish' at the San Francisco Museum of Modern Art" Artweek 24 October 1991, pp. 1, 15-16 |
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| 1990 | Brougher, Nora Halpern, "Jorge Pardo", Flash Art 23 #154,
October 1990, pp. 156-157 Kornblau, Gary,"Jorge Pardo at Thomas Solomon Gallery" Art Issues, September/October 1990, p. 35 |
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| PUBLIC COLLECTIONS | ||
| Museum of Contemporary Art, Los Angeles Boijmans Van Beuningen Museum, Rotterdam, Holland Museum van Hedendaagse Kunst, Ghent, Belgium Museum of Contemporary Art, Chicago Museum of Contemporary Art, Miami |
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| SELECTED PUBLIC PROJECTS AND COMMISSIONS | ||
| Lamps, Sotheby's, New York, 2001 Project, Dia Center for the Arts, New York, 2000 Autobahn-Raststatte, Pratteln, 2000 Fabric Workshop & Museum, Philadelphia, 1999 4166 Sea View Lane, Los Angeles, 1998 Pier, Muenster, 1997 Tomatensuppe, Koln, 1997 Lighthouse , Museum Boijmans-van Beuningen, 1997 Clock, clock, clock, clock, clock (you have to say it fast), Stuttgart, 1997 Reading Room, Boijmans Van Beuningen Museum, Rotterdam, 1996 |
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| GRANTS/AWARDS | ||
| Smithsonian American Art Museum Lucelia Award The Louis Comfort Tiffany Foundation |
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