| a r t i s t s p r o f i l
e |
Amy Adler
Doug Aitken Nobuyoshi
Araki Thomas Demand
Jason Dodge Elmgreen
& Dragset Naoya Hatakeyama
Naoto Kawahara Yuki
Kimura Sean Landers
Daido Moriyama Kyoko
Murase Jorge Pardo Erik
Parker Jack Pierson
Dean Sameshima
Kara Walker |
Jason DODGE |
Title
on the longest day, I know it is you
(Installation view, Taka Ishii Gallery)
Artist Jason Dodge
Work Date 2000
Materials Mixed media
Size Dimensions variable |
Born: 1969 in Newtown, Pennsylvania
Lives and works in New York |
| EDUCATION |
| 1996 |
MFA, Yale University School of Art, New Haven, CT |
| 1992 |
BFA, Maryland Institute College of Art, Baltimore, MD |
| 1991 |
Independent Study, Studio Art Centers International, Florence, Italy |
| 1990 |
Independent Study, in association with Maryland Institute, Malawi,
Africa |
| SOLO EXHIBITIONS |
| 2002 |
"Milton KeynesNew City," Galleria Massimo De Carlo, Milan,
Italy "Milton KeynesNew City," c/o Atle Gerhardsen,
Berlin, Germany |
| 2001 |
"Biathlon" Casey Kaplan 10-6, New York |
| 2000 |
"on the longest day, I know it is you" Taka Ishii Gallery,
Tokyo, Japan "It did not feel impossible stop It was as if
we could lose ourselves forever stop I
hate the desperation of always trying to picture you stop How long
should I wait
here stop How long can we do this” stop" Cas |
| 1999 |
"Anders Contrave: Part 1," Art Statements, Art/30/Basel,
Messe Basel, Basel,
Switzerland, Casey Kaplan, New York "Anders Contrave: Part
2, your description of an impossible scenario of how we
could be together is what made me love you and broke both our hearts,"
Moderna Museet Projekt, Stockholm, Sweden |
| 1998 |
"Helsinki" Casey Kaplan, New York |
| GROUP EXHIBITIONS |
| 2002 |
"Gallery Luhman" Nils Staerk Contemporary Art, Copenhagen,
Denmark |
| 2001 |
"The Wedding Show" Casey Kaplan 10-6, New York "Casino"
S.M.A.K., Ghent, Belgium |
2000
-01 |
"The Rules of Croquet, The Rules of a Fluttering Heart",
part of "Halcyon
Days" MetroTech Center, organized by the Public Art Fund, Brooklyn,
NY |
| 2000 |
"Luggage" Galerie Max Hetzler, Berlin, Germany
@@@ "What if?" Moderna Museet, Stockholm, Sweden
Echigo-Tsumari Art Triennial 2000, Niigata, Japan
10- 6, Casey Kaplan, New York "All You Can Eat" Galerie
Fur Zeitgenossische Kunst, Leipzig, Germany |
| 1997 |
"Clean and Sane," Edsvik Konst Kultur, Sollentuna, Sweden,
traveled to Galleri
F15, Moss, Norway, curated by Maria Lind |
| 1995 |
"familiar places/Currents '95," ICA, Boston, MA "Verisimilitude,"
White Columns, New York, curated by Gregory Crewdson |
| PERMANENT COLLECTIONS |
Moderna Museet, Stockholm, Sweden
Solomon R. Guggenheim Museum, New York |
| AWARDS AND FELLOWSHIPS |
| 1999 |
IASPIS, International Artists |
| 1996 |
Fannie B. Pardee Prize, Yale University |
| 1995 |
Schickle Collingwood Prize, Yale University |
| PUBLICATIONS |
AUTUMN WINTER SPRING SUMMER AUTUMN, Krabbesholm, Denmark,
2001.
All You Can Eat, Galerie Fur Zeitgenbssische Kunst, Leipzig, Germany,
2000.
Moderna Museet Projekt: Jason Dodge, Moderna Museet, Stockholm,
Sweden, 2000. (catalogue text by Nancy Spector)
Cream II, Phaidon, London, England, 2000.
Clean & Sane, Edsvik Konst och Kultur, Sollentuna, Sweden, and
Galleri F15, Moss,
Norway, 1997. |
| BIBLIOGRAPHY |
Scott, Michael, gGame On!, Sarah Meltzer Gallery,h Time
Out New York, July 6 2000.
Debord, Matthew, gReview:Jason Dodgeh, Art & Text, No 69, July
2000.
Avgikos, Jan, gReviews: Jason Dodge g, Artforum, May 2000.
Smith, Roberta, "Art in Review: Jason Dodge", The New York
Times, February 4, 2000.
Anton, Saul, "Jason Dodge", Time Out, February 17, 2000.
Long, Andrew, "Goings on about town: Jason Dodge"” The New
Yorker, February 7, 2000.
Levin, Kim, "Voice choices/art: Jason Dodge"”, The Village
Voice, Feb. 8, 2000.
Jones, Ronald, "Best of 1998; Jason Dodge," Artforum, December
1998.
Williams, Gregory, "Views: Jason Dodge," Siksi, Summer 1998.
Saltz, Jerry, "Jason Dodge," Time Out, May 7, 1998.
Johnson, Ken, "Art in Review: Jason Dodge," The New York
Times, May 1, 1998.
Codrington, Andrea, "Public Eye," The New York Times, January
15, 1998. |
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