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| a r t i s t s p r o f i l e | ||
| Amy Adler Doug Aitken Nobuyoshi Araki Thomas Demand Jason Dodge Elmgreen & Dragset Naoya Hatakeyama Naoto Kawahara Yuki Kimura Sean Landers Daido Moriyama Kyoko Murase Jorge Pardo Erik Parker Jack Pierson Dean Sameshima Kara Walker |
Doug AITKEN | |
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| Born : 1968 in Redondo Beach, CA Lives and works in Los Angeles, CA |
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| EDUCATION | ||
| 1987 -91 |
Art Center College of Design, BFA, Pasadena, CA | |
| 1986 -87 |
Marymount College, Palos Verdes, CA | |
| SOLO EXHIBITIONS | ||
| 2002 | 303 Gallery, New York Kunsthaus Bregenz, Austria Fabric Workshop, Philadelphia, PA "new ocean" Tokyo Opera City Art Gallery, Tokyo Japan Louisiana Museum For Moderne Kunst, Denmark |
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| 2001 | Serpentine Gallery, London, UK Kunst-Werke Berlin, Berlin, Germany Kunstmuseum Wolfsburg, Wolfsburg, Germany |
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| 2000 | "Hysteria" Taka Ishii Gallery, Tokyo "I AM IN YOU" Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Vienna Secession, Wien, Austria "Matrix 185 / Into the Sun", Berkeley Art Museum, Berkeley, CA Dallas Museum of Art, Dallas, TX Work from the Angle Collection: "Doug Aitken/Electric Earth", The Museum of Contemporary Art, Nagoya, Japan |
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| 1999 | "Concentrations 33: Doug Aitken, Diamond Sea" , Dallas
Museum of Art, Dallas, TX "Into the Sun" Victoria Miro Gallery, London "Diamond Sea", The Dallas Museum of Art |
|
| 1998 | "The Mirror", Taka Ishii Gallery, Tokyo, Japan "Me Amour", Gallery Side Two, Japan Jiri Svestka Gallery, Prague, Czech Republic |
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| 1997 | "Diamond Sea", "Cathouse", "Moving", 303 Gallery, New York, NY | |
| 1996 | "Autumn", Taka Ishii Gallery, Tokyo, Japan | |
| 1994 | "Fury eyes", "Autumn", 303 Gallery, New York,
NY "I'd Die For You", curated by Jade Dellinger, Pasco Art Center, Holiday, FL |
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| 1993 | "Dawn", AC Project Room, New York, NY | |
| GROUP EXHIBITIONS | ||
| 2002 | "Sonic Process", MACBA, Barcelona, Spain and Centre Pompidou,
Paris, France "Screen Memories" Art Tower Mito, Mito Japan "remix", Tate Gallery, Liverpool, England |
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| 2001 | "Let's Entertain: Life's Guilty Pleasures", surated by
Phillippe Vergne, Kunstmuseum Wolfsburg, Wolfsburg, Germany Jumex Collection, Mexico City, Mexico |
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| 2000 | Whitney Biennial, Whitney Museum of American Art, New York Biennale of Syndey, Museum of Contemporary Art, Sydney, Austrailia "Speed of Vision", curated by Matthew Yokobosky, Aldrich Museum of Contemporary Art "Flight Patterns", Museum of Contemporary Art, Los Angeles, CA "Let's Entertain: Life's Guilty Pleasures", curated by Philippe Vergne, Walker Art Center, Minneapolis, "Let's Entertain", Portland Art Museum, Portland, OR "Let's Entertain", Centre Pompidou, Paris, France "Let's Entertain", Miami Art Museum, Miami FL "Raw", Victoria Miro Gallery, London, UK "Future Identities: Reflections from a Collection", curated by Francesco Bonami from the Rubell Collection, Arco 2000, Madrid, Spain |
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| 1999 | "dAPERTutto", Venice Biennale, Venice, Italy "From Film", Victoria Miro Gallery, London, England "Regarding Beauty in Performance and Media Arts" Smithsonian Institution, Hirshorn Museum and Sculpture Garden "Two Doors- True Value", Mai 36 Galerie, Zurich, Germany "Video Cult/ures", Zentrum fur Kunst und Medientechnologie, Karlsuhe, Germany "EXTRAetORDINAIRE", curated by Christine Macel, Le Printemps de Cahors, Saint-Cloud, France "Natural Order", curated Catherine Crowston, Edmonton Art Gallery, Alberta, Canada "Clues, An Open Scenario Exhibitionh, curated by Luca Cerizza and Marieke van Hal, Monte Video, Amsterdam |
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| 1998 | "New Selections from the Permanent Collection", Walker
Art Center, Minneappolis, MN "portrait--human figure", Galerie Peter Kilchmann, Zurich, Switzerland "La Voie Lactee", organized by the Purple Institute, Alleged, New York,NY "L.A. Times", curated by Francesco Bonami, Palazzo Re Rebaudengo, Guarane, Italy "New Visions: video 1998", Long Beach Museum of Art, Long Beach, CA |
|
| 1997 | "The 1997 Whitney Biennial", The Whitney Museum of American
Art, New York, NY "(re)Mediation: The Digital in Contemporary America Printmaking", U.S. entry in the 22 International Ljubljana Biennial of Graphic Art, Cankarjevdom-Cultural and Congress Centre, the Modern Gallery and the Tivoli Gallery, Ljubljana "film-arc.graz", Third International Biennale, Graz, Austria "Video Divertimento", curated by Susan Hapgood, San Casciano Dei Bagni, Italy "We Gotta Get Out of this Place", curated by Stefan Calmer, Cubitt Gallery, London, Great Britain "One Minute Scenario", curated by Jerome Sans, Le Printemps de Cahors, Saint-Cloud, France "Doug Aitken and Peter Gehrke", Galleri Index, Stockholm, Sweden "Camera Obscura", curated by Susan Hpgood, San Casciano dei Bgni, Italy "Doug Aitken, Alex Bag, Naotaka Hiro", Taka Ishii Gallery, Tokyo, Japan |
|
| 1996 | "Campo 6: The Spiral Village", curated by Francesco Bonami,
Galleria Civica D'Arte Moderne e Contemporanea Turin, Italy and Bonnefanten Museum, Maastricht, Netherlands "29' - 0"/ East", Kunstraum Vienna, Vienna, Austria "29' - 0"/ East", Kunsthalle New York, NY "Show and Tell", curated by Andrea Scott,, Lauren Wittles Gallery, NY "Doug Aitken, Mariko Mori, Ricardo Zulueta", Elga Wimmer Gallery, NY |
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| 1995 | "La Belle et la Beta", curated by Lynn Gumpert, Musee
d'art de la Ville Paris, Paris, France "The Image and The Object", curated by Giovanna Trento & Bruce Di Marino, Museo Laboratorio di arte Contemporanea, Roma, Italy |
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| 1994 | "still", curated by Heide Zuckerman, espace Montjoie,
Paris "Audience 0.01", curated by Helena Contova, Flash art Museum, Trevi, Italy Vera Vitagioia, Naples, Italy "Beyond Belief", curated by James Roberts, Lisson Gallery, London, UK "Not Here Neither There", curated by Charles Gaines, Paul McCarthy, Stephen Prina, Fran Seegull, Los Angeles Contemporary Exhibitions, Los Angeles, CA "New York, New York", curated by Zdenka Gabalovia, Ma'nes Space, Prague, Czech Republic "Out West and Back East', curated by Tom Rhoads, Santa Monica Museum of Art, Santa Monica, CA |
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| 1993 | "Okay Behavior", curated by Gavin Brown & Gareth Jones,
303 Gallery, New York, NY "Outside Possibilities", curated by Bill Arning, Rushmore Estate, Rushmore, NY "Underlay", curated by Paul Bloodgood & Gavin Brown, 15 Renwick St., New York, NY "Doug Aitken and Robin Lowe", AC Project Room, New York, NY |
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| 1992 | "Multiplicity", curated by Susan Inglett, Christopher
Middendorf Gallery, Washington, DC "The Art Mall, A Social Space", The New Museum of Contemporary Art, New York, NY "Invitational 92", Stux Gallery, New York, NY |
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| 1991 | "Artworks/Artwokers", AC Project Room, New York, NY | |
| BIBLIOGRAPHY | ||
| 2001 | Jothady, Manish, "Reisen in den Inner Space", Frame, vol.5,
Jan-Feb, pp. 67-73 Romano, Gianni, "Secession", review, Flash Art, January-February, Vol. XXXIV, No. 216, pp. 121-122 |
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| 2000 | Vogel, Sabine B., Frankurter Allgemeine, November 7, p.23 "Turbulence; Blackout; movement; Breath In; Weak Link; Mirror" Blind Spot, Issue 16 Martin, Frank Edgerton, "That's Entertainment, Let's Entertain Life's Guilty Pleasures, Portland Art Museum", Artchitecture, August, p.63 Feinstein, Roni, "Museum of Contemporary Art", Art in America, p.44 Anton, Saul, "A Thousand Words: Doug Aitken Talks about Electric Earth", Artforum, May, pp. 160-161 Bonami, Francesco, "Liquid Tim", Parkett, Issue 57, pp. 29-32 Roberts, James, "Omega Man", Parkett, Issue 57, pp. 22-23 vanAssche, Christina, "The Stalker of the Fin de Sitle", Parkett, Issue 57, pp.54-58 McKenna, Kristine, "Biennial Man", LA Weekly, March 17-23 Ruhm, Constanze, "Planet of the Scapes", Style and the Family Tunes", Germany, April/May, Issue 30 pp. 34-39 Halle, Howard, "2000 and None: The Whitney Blows the Franchise", Time Out New York, no 237, April 6-13, p. 72 "Very New Art", Bijutsu Techo, Japan, No. 782, January "Paini, Dominique, "Le Retour du Fleur", Artpress, Paris, no. 255, March, p. 33 Rush, Michael, "New Media Rampant", Art in America, July, p. 41 |
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| 1999 | Macel, Christine, Beaux Arts , profile, December, p.78-81 Ryan, Orla, Circa , review of biennale, issue # 89 p.16-17 Lyer, Pico, "Always Homeward Bound", photo contribution, Architecture, Vol. 88, No 12, Dec, p. 86 Big, "Random spac"images Doug Aitken p. 102 -109 Herbert, Martin, Londonart , UK magazine , October 22 Anton, Saul, "Doug Aitkenfs Moment", tate, issue no. 19, Winter . pp. 54-58 Giorgio, Verzotti, "La Biennale dello Culture Emergenti", Tema Celeste Arte Contemtemporanea, Review, September, 1999, p. 52. Hayt, Elizabeth, "Looking Ahead", The New York Times, Sunday, September 12, p. 93. Madoff, Steven Henry, "All's Fair", Artforum, September, pp. 145-154, 184, 190 Heiser, Jorg and Andrew Gellatly, "Just Add Water", frieze, issue 48, Sept -Oct, pp. 66-71. Vertrocq, Marcia. "The Venice Biennale: Reformed, Renewed, Redeemed, Art in America, Sept., pp 82-93 Anton, Saul, review, Artbyte, June-Aug, p. 108 Amadasi, Giovanna, interview, -cross, no. 2, pp. 24-29 Rattray, Fiona, "Landscape Art", Blueprint, March, No. 159, p. 63 Gisbourne, Mark, "I Love New York, Crossover of Contemporary Art", review, Contemporary Visual Arts, Issue 22, p.77 Cincinelli, Saretto, "Pitti Immagine Discovery" Flash Art, June-July, pp.118 "Video et Photographie Scellent leurs Noces au Printemps de Cahors", review, Le Monde, June 23 Rees, Christina, "Well- Cut Gem", Dallas Observer, June 3-9, pp. 62 Lubow, Arthur, "The Curse of the Whitney", The New York Times Magazine, April 11, pp. 54-61 review, "Doug Aitken at 303", Flash Art, January-February, p. 40 Bonami, Francesco & Obrist, Hans, ed., Dreams Robinson, Walter, "Hi Mom, I'm in Venice", Artnet.com de Rooij, Marie, "Beeldende Kunst", De Groene Amsterdammer, June 2, pp.27 Aspesi, Natalia, "Festa Grande per Artisti Casalinghi", La Republica, June 10 "Clues", review, Flash Art, May 1999 Le Millenium, (japanese), no. 26 Vogel, Carol, "At Venice Biennale, Art Is Turning Into an Interactive Sport", The New York Times, Monday, June 14, E1, E6 Kimmelman, Michael, "The Art of the Moment(And Only For The Moment)", The New York Times, August 1, 1999, pp.34-35, sec. 2. |
|
| 1998 | Saltz, Jerry. "New Channels", The Village Voice, January
12, p. 113 Arning, Bill. review. Time Out New York, January 7, p. 54 Krauss, Nicole. review, Art inAmerica, March, p. 112 Jocks, Heinz-norbert. "Ein Fernblick auf New York", Kunstforum International, January-February, pp. 312-312 Bonami, Francesco, "Doug Aitken: Making Work Without Boundaries", Flash Art, May-June, pp. 80--82 Fogle, Douglas. "No Man's Land", frieze #39, March-April, pp. 56-61 Blair, Dike. "Interview/ Sound and Image, Self and Place", Purple Prose 13, Winter Woznicki, Krystian, "California on the Mind's Road Map" The Japan Time, July 19, pp. 13 Fleiss, Eileen, ed., photo project for Purple Two, Winter, pp. 382-389 Shave, Stuart, ed. "Speed Addict", i-d, October, p. 131 Morrissey, Simon. review, Untitked, p. 30 review, attitude, September, p. 95 Wakefield, Neville. "Let's Go to the Videotape", Art & Auction, October 19 review, PIA, Tokyo, Japan, July 6 Akasaka, Hideto. "Mindscape", Asahi Camera, August review, i-magazine, August review, Gallery, July, p. 31 review, Nikkei Art, August |
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| 1997 | Talkington, Amy. "Diamonds in the Desert", Ray Gun, August McKenna, Kristine. "It Happens Every Two Years", The Los Angels Times, March 9 Pokorny, Sydney. review. Artforum, Summer Leggat, Graham. "All of These, None of These: The 1996 New York Video Festival", Parkett Magazine, Issue 48, p.162 review, Village Voice, April Newhall, Edith. "Glimmer Fields", Talent, New York Magazine, April 14, p148 Schmerlerler, Sarah. Doug Aitken at 303 Gallery, Time Out New York, April 17-24, p.41 "ad./on/exchange: a Project curated by Jade Dellinger", Zing Magazine, Winter/Spring "Galleries--Chelsea", The New Yorker, April 4, 1997 "Doug Aitken", Studio Voice(8), Volume 248, pp 38-40 Interview on AdaWeb: http://adaweb.com/project/aitken; http://adaweb.com/context/artists/aitken/dabio.html Madestrand, Bo. "Unpacking the Fashion Pack: Doug Aitken and Peter Gehrke at Gallery Index, Stockholm", Material, No. 32, Spring |
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| 1996 | Arning, Bill. "Down for the Kunst", Time Out New York Schmerler, Sarah. "Art in the Anchorage '96", Time Out New York, #46 |
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| 1995 | Schwartz, Henry. Flash Art, March-April, p.104 | |
| 1994 | Decter, Joshua, Reviews, Artforum, December '94, p.48 Pokorny, Sydney, frieze, Nov/Dec, 1994, p.61 "Moonlighting", The New Yorker, Oct.3, p.26 Kastner, Jeffrey, "Beyond Brief", Flash Art, Summer 1994, p.61 Muir, Gregor, "Beyond Belief", World Art, June 1994, p.109 Weil, Benjamin, "Ouverture", Flash Art, May/June, p.104 Cork, Richard, "All Human Life is Missing", The London Times, April 26, Lillington, David, "Monkey Business - Beyond Belief", Time Out, April Saltz, Jerry, "Doug Aitken at the AC Project Room", Art in America, April p.28 |
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| 1993 | Saltz, Jerry "Mayday, Mayday, Mayday", Art in America,
September, p.45 Saltz, Jerry, "10 Artists for the 90s", Art & Auction, May 1993, p.122-125 Lane, Tim, Transworld Skateboarding Magazine, February 1993, p.50 |
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| 1992 | Weizenbach, Michael, "One Print Is worth A Thousand Words",
The Washington Post, 7 November, p. G2 Bogan, Neill, Art Papers, October/November p.54 Kempton, Jim, "Schrapnel", WARP Magazine, October, p.1 |
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| CATALOGS | ||
| 2001 | "Hypermental Rampant Reality 1950- 2000 from Salvador Dali
to Jeff Koons", Curated by Bice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp 124, 141 |
|
| 2000 | "Fresh Cream, contemporary Art in Culture", Phaidon Press,
pp 58-63 "The 2000 Biennial Exhibition". Whitney Museum of American Art, New York "Let's Entertain: Life's Guilty Pleasures", curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11 "Speed of Vision: On the Construction and Perception of Time in Video Art", curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26 "Crossing Boundaries 2000", The Danish Film Institute, Denmark, p. 54 |
|
| 1999 | "Video Cult/ures", 'Into the Sun', Museum for Contemporary
Art, Karlsruhe, Germany "Concentrations 33: Doug Aitken, Diamond Seah,Dallas Museum of Art, Dallas, TX "Video Cult/ures", Zentrum fur Kunst und Medientechnologie, Karlsuhe, Germany "EXTRAetORDINAIRE, Le Printemps De Cahor, St-Cloud, France "dAPERTutto", La Biennale di Venezia: 48a Esposiozione Internazionale d' ARte, Fogle, Douglas, Marsilio, Venice, pp 286 - 289 |
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| 1998 | "Unfinished History", Walker Art Center, MN "I Love New York -- Crossover of Contemporary Art", Museum Ludwig, Cologne, Germany |
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| 1997 | "The 1997 Whitney Biennial", The Whitney Museum of American
Art, New York "29' - 0" / East", Kunsthalle New York, New York "One Minute Scenario", curated by Jerome Sans, Le Printemps de Cahors, Saint-Cloud, France "22 International Ljubljana Biennal of Graphic Art", Canlarjevdom-Cultural and Congress Centre, the Modern Gallery and the Tivoli Gallery, Ljubljana "film+arc.graz", Third International Biennale, Graz, Austria |
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| 1996 | "Campo 6: The Spiral Village", curated by Francesco Bonami,
Foundazione Sandretto re Rebaudengoi "a / drift", exhibition catalogue, curated by Joshua Dector, Center for Curatorial Studies Museum, Bard College |
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| 1995 | "La Belle et la Bete-Beauty and the Beast", Musee d'Art
Moderne de la Ville de Paris, p.36-37, 114-115 |
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| 1994 | "LifeSize", Centro per l'Arte Contemporanea Luigi Pecci,
Museo d'Arte Contemporanea, Prato, Italy "Audience 0.01", Giancarlo Politi Editore, Trevi, Italy |
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| 1993 | "Okay Behaviour", 303 Gallery, New York, NY | |
| FILM FESTIVALS | ||
| 2000 | "Crossin g Boundaries", Danish Film Institute, Copenhagen "Regarding Beauty in Performance and Media Arts", Haus der Kunst, Munich, Germany |
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| 1999 | Montriol International Festivqal of New Cinema and New Media, Montriol,
Canada "4ruie Manifestation Internationale Video et Art Metronique, Champ Libre, Montriol, Canada "Landscape in Motion", curated by Giovanna Amadasi and Andrea Lissoni, Milan, Italy, screening Diamond Sea, Eraser International Film Festival of Rotterdam, Rotterdam, The Netherlands |
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| 1998 | International Film Festival Rotterdam, Rotterdam, The Netherlands "ret.inevitable", Creative Time at the Brooklyn Anchorage, Brooklyn, NY International Film Festival, Geneva, Switzerland |
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| 1997 | Montreal International Festival of Cinema and New Media, Montreal,
Canad, screening "Diamond Sea" |
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| 1996 | The 34th New York Film Festival, Alice Tully Hall, Lincoln Center,
New York, NY, screening "Bad Animal" The 5th New York Video Festival, Walter Reade Theatre, Lincoln Center, New York, NY, screening "Autumn" and "Monsoon" Boston Film Festival, Boston Massachusettes, screening "Monsoon" Champ Libre, Sous la Passerlle, Montreal, Canada, screening "Autumn" International Festival of New Film and Video, Split, Croatia, screening "Dawn", "Fury Eyes", "Inflection", and "Monsoon" |
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| 1995 | Telluride Film Festival, "Monsoon" | |
| INSTALLATIONS AND VIDEOGRAPHY | ||
| 2000 | "blow debris", 9 channel, 21 minutes cycle "i am in you", 3 channel, 5 projections |
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| 1999 | "electric earth", 8 laserdiscs "into the sun", 4 laserdiscs in a 12 minute cycle |
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| 1998 | "eraser", color, 7 laserdiscs in a 20 minute cycle "these restless minds", color, 3 laserdiscs in an 8 minute cycle "me amour", color, laserdisc in a 5 minute cycle "hysteria", color and black and white, laserdisc in a 7 minute cycle |
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| 1997 | "Diamond Sea", color, 20 minutes, laserdisc "Cathouse", color, 3 laserdisc in a 2 minute cycle |
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| 1996 | "Bad Animal", color, 7 minutes, laserdisc "Rise", color, 30 minutes, laserdisc |
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| 1995 | "Transformer", color, 7 min., laserdisc "Monsoon", color, 6 min., laserdisc |
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| 1994 | "Fury eyes", color / black and white, 7 min., laserdisc "Autumn", color, 8 min., laserdisc "Dawn", color, 6 :30 min., laserdisc |
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| 1993 | "Superstar (Development 3)", color, 8 min., VHS "I'd Die For You", color, 10 min, VHS |
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| 1992 | "Inflection", color, 13 min., VHS "Dude 500", color, 6 min., VHS |
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| 1991 | "Implosion", B/W, 5 min, VHS | |
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