Title Installation View, Taka Ishii Gallery, 2002
Artist Jorge Pardo
Work Date 2002
Materials Mixed media (painting,floor lamps)
Size Dimensions variable
Title Installation View, Taka Ishii Gallery, 2002
Artist Jorge Pardo
Work Date 2002
Materials Mixed media (painting,floor lamps)
Size Dimensions variable
Title Untitled (Floor Lamp)
Artist Jorge Pardo
Work Date 2002
Materials Mixed media
Size Information currently unavailable
Born: 1963 in Havana, Cuba
Lives and works in Los Angeles
BFA Art Center College of Design, Pasadena, CA
University of Illinois at Chicago
2002
pkm Gallery, Seoul
Taka Ishii Gallery
2001
Galerie Ghislaine Hussenot, Paris
Galerie Gisela Capitain, Koln
Montblanc Kulturstiftung, Hamburg
Friedrich Petzel Gallery, New York
China Art Objects, Los Angeles
2000
Dia Art Foundation, New York
Kunsthalle Basel (cat.)
Galeria Marta Cevera, Madrid
Brian Butler, 1301 PE Los Angeles
1999
The Fabric Workshop, Philadelphia
Royal Festival Hall, London (cat.)
neugerriemschneider, Berlin
Swish I'm a Fish, Museum Abteiberg. Monchengladbach (cat.)
Brian Butler, Los Angeles
1998
Jorge Pardo. 4166 Sea View Lane, Museum of Contemporary Art, Los Angeles
(cat.)
Ghislaine Hussenot/Phillipe Rizzo, Brussels
Patrick Painter, Santa Monica
Baby Blue, Galerie Gisela Capitain, Cologne
Wool, Cotton, Latex, Wax & Steel, Friedrich Petzel Gallery, New York
Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg
1997
Lighthouse, Museum Boijmans Van Beuningen, Rotterdam
Museum of Contemporary Art, Chicago (cat.)
Garnish and Landscape (w/ Tobias Rehberger), Gesellschaft fuer
Gegenwartskunst, Augsburg(cat.)
1996
It Hangs Out There, Friedrich Petzel Gallery, New York
neugerriemschneider, Berlin
1995
Nafta, Tom Solomon's Garage, Los Angeles
Borgmann Capitain Gallery, Cologne
1994
Zeichnungen, neugerriemschneider, Berlin
One Component of the Work Is That the Show Will Have Many Titles, One of
Them Being: MoCA.Three Prints Per Second, Friedrich Petzel / Nina Borgmann,
New York
1993
Person's Weekend Museum, Tokyo (cat.)
Tom Solomon's Garage, Los Angeles
1992
Terrain Gallery, San Francisco
1991
Luhring Augustine Hetzler, Santa Monica
1990
Tom Solomon's Garage, Los Angeles
Petersburg Gallery, New York
1988
Bliss Gallery, Pasadena
2001
Reverb, Jorge Pardo and Gilberto Zorio, Dia Center for the Arts, New York
Comfort, curated by Kristin Chambers,
Cleveland Center for Contemporary Art
Public Offerings, Museum of Contemporary Art, Los Angeles
In Between: Art and Architecture, MAK Center for Art and Architecture, Los Angeles
The Beauty of Intimacy, Lens and Paper, Gemeentemuseum Den Haag,
Beau Monde: Toward a Redeemed Cosmopolitanism: SITE Santa Fe Forth
International Biennal, Santa Fe
Collaborations with Parkett, 1984 to Now", Museum of Modern Art, New York
2000
Made in California: Art, Image and Identity, Los Angeles County Museum of Art
1989, curated by Ilene Kurtz, David Kiehl & Patrick Moore, Curt Marcus Gallery,
New York
Talleres: Art from the Guadalajara Workshops, Mexican Cultural Institute
Threads of Dissent, The Fabric Workshop, Philadelphia
Against Design, curated by Steven Beyer, Institute of Contemporary Art,
University of Pennsylvania, Philadelphia, Palm Beach Institute of
Contemporary Art, Museum of Contemporary At, San Diego, Kemper Museum of
Contemporary Art, Kansas City, MO
Double Space, curated by A.S. Bessa, Apex Art Curatorial Program, New York
Objecthood 00, Rethymnon Centre for Contemporary Art, Rethymnon
Strange Paradise, Casino Luxembourg
Quoitidiana, Castello di Rivoli, Torino
Rags to Riches, curated by Petra Bungert and Alexandra Dimentieva, Center
for Contemporary Non-Objective Art, Brussels (cat.)
What If, Moderna Museet, curated by Maria Lind and Liam Gillick, Stockholm
Quiet Life, Blickle Stiftung
Fast Forward, Kunstverein Hamburg
Strange Paradise, Casino Luxembourg
1999
Threads of Dissent, The Isabella Stewart Gardner Museum, Boston
Objecthood 00, Hellenic American Union, Athens
Comfort Zone: Furniture by Artists, curated by Amy Wolf, The Public Art Fund,
PaineWebber Art Gallery (brochure)
Jorge Pardo (with Bob Weber), China Art Objects, Los Angeles
Drawn by..., Metro Pictures, New York
Talleres: Art From Guadalajara Workshops, curated by Carlos Ashida, Track 16
Gallery, Santa Monica
DConstructivism: life back in to art , Brisbane Convention and Exhibition Center
Wonder world - notes for a solid collection, Newsantandrea, Savona
Konstruktionszeichnungen, Kunst-Werke, Berlin
1998
Light X Eight: The Hanukkah Project, Jewish Museum, New York
Richard Hawkins/Jorge Pardo, Brent Petersen Gallery, Los Angeles
Chaos, Control, Chaos, Control. You Like? You Like, curated by Anne Lemieux,
Elias Fine Art, Boston
artranspennine, with Langlands and Bell, Atelier van Lieshout and Francois
Quardon, The Henry Moore Institute, Leeds, curated by Penelope Curtis (cat.)
Dad<<s Art, neugerriemschneider, Berlin
___, 1994untitled,1994(meettim&burkhard)branYusi,1997, Grazer Kunstverein
FAST FORWARD "archives", Hamburger Kunstverein, Hamburg
Fast Forward / Body Check, Kunstverein Hamburg
Works for the Ideal Home, Art Metropole, Toronto
Scratches on the surface of things, Museum Boijmans Van Beuningen
Marienhof - Konzepte der Kunst, Rathaus, Munchen
Kunst fYr Bundestagsneubauten, Deutscher Bundestag, Berlin
Jason Meadows / Jorge Pardo, Brent Petersen Gallery, Los Angeles
Mai '98, Kunsthalle Koln (cat.)
Minis, Midis & Maxis, Kunstlerhaus Palais Thurn und Taxis, Bregenz
1997
Angel Hair EX. LA., Dogenhaus Galerie, Leipzig
Check in, Museum fur Gegenwartskunst, Basel
Hospital, Galerie Max Hetzler, Berlin
Kunst..Arbeit, Aus der Sammlung SudWest LB, Stuttgart, Germany (cat.)
KolnSkulptur 1, Koln, Germany (catalogue pp. 122-125)
Kevin Appel, Francis Cape, Jorge Pardo, Janice Guy, New York, curated by
Margaret Murray
Assuming Positions, Institute of Contemporary Art, London (cat.)
Home Sweet Home, Deichtorhallen, Hamburg (cat.)
Rooms With a View. Environments for Videos, Guggenheim Museum Soho, New
York, curated by Nancy Spector (including Vito Acconci, Angela Bulloch, and
Dan Graham)
Laying Low: Postminimalism/Scatter Art, Kunstnernes Hus, Oslo, Norway (cat.)
Bastards of Modernity, Angles Gallery, Santa Monica
Skulptur. Projekte in Munster 1997(cat.)
Cruising L.A., Galeria Soledad Lorenzo, Madrid (cat.)
1996
True.BLISS., Los Angeles Contemporary Exhibitions (cat.)
Just Past: Contemporary and Permanent Collection 1975-1996, MoCA Los
Angeles
Richard Telles Gallery, Los Angeles (with Jim Iserman)
Friedrich Petzel Gallery, New York
Ab Fab, feature inc, New York
Blum & Poe, Santa Monica
Defining the 90's, Museum of Contemporary Art, Miami (cat.)
Projekte/Projects:Art at the New Trade Fair of Leipzig, Leipzig (cat.)
Multiple Pleasure, Tanya Bonakdar Gallery, New York
Dark Memories Hovering, Marc Foxx Gallery, Santa Monica
Traffic, CAPC Musee d'Art Contemporain, Bordeaux, France (cat.)
le labyrinthe moral, Centre d'Art Contemporain, Dijon
nach Weimar, Kunstsammlung zu Weimar, Weimar (cat.)
wunderbar, Hamburger Kunstverein, Hamburg (cat.)
Faustrecht der Freiheit: Sammlung Volkmann, Kunstsammlung Gera
Alle Neune, ACC Galerie, Weimar
groupshow, Friedrich Petzel Gallery, New York
Ranch, Peter Strauss Ranch, Santa Monica
Jim Iserman, Jorge Pardo, Richard Telles Fine Art, Los Angeles
Affairs, Institut fﾙr Gegenwartskunst, Wien
Der Umbau Raum, Kunstlerhaus Stuttgart, Stuttgart
Legende I, Museet for Samtidskunst, Roskilde
Blum & Poe, Los Angeles, USA
Ab Fab, feature inc., New York
1995
Affairs, Institut fuer Gegenwartskunst, Wien
Hawaii, (with Pae White, Mitchell Kane, & Mythter), Friedrich Petzel Gallery, New
York
Alles was modern ist, Galerie Baerbel Graesslin, Frankfurt
Dark Memories Hovering Below the Transparent Screen of the Present Will Project
Images of Reality in Sharp Silhouette, to Create the Pleasurable Effect of a
Double World, Marc Foxx, Santa Monica, CA
Le Consortium, Dijon
1994
filmcuts, neugerriemschneider, Berlin, Germany (video)
Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schuermann,
Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (cat.)
1994 Saturday Night Fever, curated by Michael Cohen and Catherine Liu, Tom
Solomon's Garage, Los Angeles
Interdisciplinary, Woodbury University, Burbank
Temporary Translation(s) - Kunst der Gegenwart und Fotografie - Sammlung
Schuermann, Deichtorhallen Hamburg (cat.)
Neue Moebel fuer die Villa, Villa Merkel, Esslingen
Lost Paradise, Kunstraum Wien, Vienna
Pure Beauty: Some Recent Work From Los Angeles, curated by Ann Goldstein,
traveled to Museum of Contemporary Art, Los AngeleAmerican Center, Paris
Backstage, Kunstmuseum Luzern
Untitled Groupshow, Metro Pictures, New York.
Love in the Ruins, Long Beach Museum of Art, Long Beach (cat.)
Breakdown , MOCA ,San Diego (cat.)
Museum auf Zeit, slide projections at Museum Fridericianum, Kassel
1993
Backstage, Kunstverein Hamburg
Pardo- Segar- Rirkit Tiravanija- Tobier, 1301 Gallery, Santa Monica
Displace Michael Cohen Gallery, New York
Summer Group Exhibition, Anderson O'Day Gallery, London
11- Artists organized by Tim Neuger, Kunstlerhaus Bethanien, Berlin
6- Artists organized by Tim Neuger, Galerie Max Hetzler
1992
Gallery Artists Group Show, Thomas Solomon's Garage, Los Angeles
Tele Mundo, Terrain Gallery, San Francisco
Very, Very, Very... Shoshana Wayne Gallery, Santa Monica
5 Artists Summer Show, Terrain Gallery, San Francisco
Mars Gallery, Tokyo
Object/objet (with Stephen Berens, Elizabeth Bryant, Anne Walsh)
El Camino College Art Gallery, Torrance
California: North and South , Aspen Museum of Art, Aspen
Art Center College of Design, Pasadena (cat.)
1991
Phenon/Phenotype: A Group Therapy, Terrain Gallery, San Francisco
L.A. Times, curated by Jackie Christ, Boise Museum of Modern Art, Boise
Facing the Finish, curated by John Caldwell and Robert Riley, San Francisco
Museum of Modern Art, San Francisco, CA; Santa Barbara Contemporary Arts
Forum (cat.)
1990
Omnia ad Majorem Dei Gloriam, curated by Peter Wright, Grace Cathedral, San
Francisco
Improvements on the Ordinary, curated by Dan Peterman, Randolph Street,
Chicago
Luhring Augustine Hetzler, Santa Monica
New Sculpture (with Craig Watson), Terrain Gallery, San Francisco
1989
H20 , curated by Thomas Solomon, Beverly Hills
1987
Graduate Group Show, Art Center College of Design, Pasadena
2001
Goodman, Wendy, "White Hot", Elle Decor, October 2001, pp.223-227
Relyea, Lane, "What You Say Is What You See", ArtForum, October 2001,
pp.51-52
MacAdam, Barbara, "Electrify Me!", ArtNews, October, 2001, p.171 (Ill.)
Spaid, Sue, "Comfort", ArtText, no.74, 2001, p.82-83
Cambell, Clayton, "Public Offerings" D'Art International, Fall, 2001, pp.25, 27
Nico, Israel, "Public Offerings", Artforum, Sept. 2001, p.190
Cutter, Kimberly, "East Side Story", W, Sept. 2001, pp.204-208
Ed. Burkhard Riemschneider and Uta Grosenick, "Icons, Art Now", Taschen, 2001
Schjeldal, Peter, "Desert Songs", The New Yorker, Aug. 13, 2001, pp. 82-83
Griffin, Tim. "Electrify Me", Time Out New York, no.303, July 12-19 2001
Rizk, Mysoon, "Comfort", New Art Examiner, July, August, 2001, p.90
Richard, Frances. "Electrify Me", Artforum.com, July , 2001
Geer, Suvan, "Viewpoint", Artweek, July 12, 2001, p.5
Knight, Christopher, "Art For School's Sake", Los Angeles Times Calendar,
July 8, 2001, p.67
Ed. Susan Delson, "Inspirations", Museums Los Angeles,Vol.3, #1.
Spring/Summer, 2001, p.128Ed.
Vendrame, Simona, "Hybrids", Tema Celeste, No. 85, May-June 2001, p.108
Chang, Krystal, "Architectural Survey", Metropolis, May, 2001
"Lamps in the Lobby", Artnet.com, May 3, 2001
Simpson, Bennett, "The Sociology of Jorge Pardo", ArtNexus, No.40, May- July
2001, Cover, Inset, pp. 48-52
Tumlir, Jan, "'90s Art in Los Angeles", Art & Text, No.71 November 2000 - January
2001, p.42-51
Muchnic, Suzanne, "That 90's Show", Los Angeles Times Sunday Calendar,
April 1, 2001. pp.4-5, 75, 76
Vogel, Carol. "Atrium Attractions", NY Times, April 27, 2001, p.E32
Hornbrook, Kathy, "Museum of Contemporary Art Reclaiming the 'Comfort Zone'",
The Plain Dealer, April 27, 2001
Pagel, David, "Before Their Art Was Famous", Los Angeles Times, April 4, 2001,
p. F8
"MOCA Examines Points of Emergence Of Today's Significant Artists", Antiques &
The Arts Weekly, March 30, 2001
Yannopoulos, Charles, "Digital Discomfort", Clevescene.com, March 29, 2001
Litt, Steven, "A Spunky Vision of Domestic Future in The Modem Age", The Plain
Dealer, March 18, 2001
Utter, Douglas Max, "Cold Comfort", Cleveland Free Times, March 14-20, 2001,
p.26
"The Future of Comfort", Flash Art International, March-April, 2001
Kaufman, Kim,"Number 4", Artivents.com, March 6, 2001
"Calendar, Comfort...", Dwell, March, 2001
Glueck, Grace, "Jorge Pardo", The New York Times, February 2, 2001, p.E37
Chambers, Kristin, Comfort: Reclaiming Place in a Virtual World, Cleveland Center
for Contemporary Art, exhibition catalogue p. 37, 63-66
Simpson, Bennett, "Specific Spectacles: Art & Entertainment", Art & Text, No. 71,
November 2000 - January 2001, pp. 70-77
Lﾙtticken, Sven "Het schilderi en de afvalbak", De Witte Raaf 89, January
February 2001, pp. 11 - 13 (Ill)
Parkett, Collaborations & Editions Since 1984, Museum of Modern Art, New York.
exhibiton catalogue, p.186-7
Poels, Jan-Willem. "On The Cusp", Frame, No. 18, Jan/Feb, 2001, p.14
(reproduced)
Singerman, Howard. "Jorge Pardo", Public Offerings (exhibition catalogue),
p.120-127 (Ill.)
Erikson, Emily,"Preview: U.S. Shorts", Artforum, January, 2001
Relyea, Lane. "L.A.-Based and Superstructure", Public Offerings (exhibition
catalogue), pp. 263, 266
2000
Siegel, Katy, "Best of 2000", Artforum, December 2000, p.116
Barron, Stephanie, Bernstein, Sheri & Fort, Ilene Susan, Made in California: Art,
Image and Identity, Los Angeles County Museum of Art, p.269
Attias, Laurie, "Elysian Fields", Frieze, November-December 2000, p.109
Schafaff, Jorn, Steiner, Barbara, eds, Jorge Pardo, Hatje Cantz Verlag
Blair, Dike, "Thinking Outside the Box", Time Out New York, September 14- 21,
2000, p.111
Muller, Markus, "Outside Event", Space, Issue Three, 2000, pp.26-28
Miles, Christopher, "Flat Wares", Artforum, May 2000, p.87
Against Design, Institute of Contemporary Art, University of Pennsylvania
Plagens, Peter, "Against Design", Newsweek.com
Sozanski, Edward,"Along the Fuzzy Boundary between Art and Design",
The Philadelphia Inquirer, February 13, 2000, p.A11
Hamilton,William, "New Art's Interior Move", New York Times, February 3, 2000,
pp.F1, F8
"Very New Art: Jorge Pardo", Monthly Art Magazine Bijitsu Techno, Vol.52,
No.782, January 2000, pp.180-181
1999
Murphy, Dominic, "Rogue's Gallery", The Guardian Weekend, May 22, 1999,
pp.60-61
Temin, Christine, "Warning: Threads of Dissent May Irritate Skin", Boston Globe,
November 3, Sherman, Mary, "Weaving a Lasting Message" Boston Sunday
Herald, October 31, 1999, p.76
Gantz, Jeffrey, "Threads of Dissent", Boston Phoenix, October 29, 1999, pp. 1, 15
Objecthood 00, Hellenic American Union, Athens, 1999, pp.62-65 (cat.)
Pardo, Jorge, "La Oficina" , Trans, Volume 6
Sanders, Joel, "Frames of Mind", Artforum, November 1999, pp.126-131, 157
Ferguson, Russell, "What is Lost for Art is Gained for Life", Parkett, No. 56, 1999,
pp.122-129
Vegh, Christina, "The Tonality of Contradictory Settings", Parkett, No.56,1999,
pp.130-139
van Winkel, Camiel, "Off the Table", Parkett, No.56, 1999, pp.142-47
Frangenberg, Frank, "Raise High the Room Beam", Parkett, No.56, 1999,
pp.148-150
Bush, Kate, "4160 Sea View Lane", Parkett, No.56, 1999, pp.152-159
Edition for Parkett: Jorge Pardo, Parkett, No.56, 1999, p.160
erbstreuth, Peter, Jorge Pardo, Kunstforum, July-August 1999, pp.351-352
Goldsmith, Diane, 'It's all in how you see it', The Philadelphia Inquirer, Home &
Design, Friday May 28, Front page + E8
Haeg, Fritz, "Interview with Jorge Pardo," L.A. Design (Index Magazine Special
Section), May/June 1999, pp.13-15
Tumlir, Jan, Jorge Pardo Untitled, catalogue essay, The Royal Fesitival Hall,
London
Brackman, Yvette, "Maximizing the Pastoral", ARTBYTE, April-May 1999, p.62
Kwon, Miwon, "Richard Serra & Jorge Pardo," Documents, Winter 1999, pp.48- 54
Ouroussoff, Nicolai, "Jorge Pardo," Art Issues, no. 57, March/April 1999, p.41
Hainley, Bruce, Jorge Pardo, Artforum, Dec, 1998
Vegh, Christina, "4166 Sea View Lane-ein Kunstlerhaus von Jorge Pardo",
Werk, Bauen+Wohnen, vol 3, March 1999, pp.46-51
1998
Levere, Jane, "Artist on the Edge", Robb Report, April 1998, p.133
"Art at the turn of the Millennium", editors Burkhard Riemschneider, Uta Grosenick,
Taschen, pp.374-37
Avgikos, Jan, "The Shape of Art at the End of the Century," Sculpture, April 1998,
pp.46- 53
Art Now: International Gallery Guide, "Jorge Pardo: 'Lighthouse'", February 1998,
pp. 10-11
Basualdo, Carlos, "Jorge Pardo," Cream Contemporary Art in Culture, 1998,
pp.320-323
Codrington, Andrea, "Public Eye: Furniture in Art", The New York Times, January
1998, p.F2
DeBord, Matthew, "LA casual + NY critical =a New Urbanity," Siksi, Summer
1998, p. 56-61
Drohojowska-Philp, Hunter, "Welcome to the House that Jorge Built," LA Times
Calendar, 11 October 1998, pp. 62, 82
Firpo, Erica, "Home Improvement", Los Angeles Downtown News, Los Angeles,
Vol. 27, Number 45, 26 October 1998, p.10
Frangenbuerg, Frank ,"Die Moral der Kunst", Kolner Stadt-Anzeiger, No. 50,
Saturday/Sunday, 28 February -1 March 1998, p. 39
Holmqvist, Karl, "Hospital", Flash Art, March/April 1998, Vol. XXXI, no. 199, p.79
Ise, Claudine, Los Angeles Times, Friday, 18 September 1998
Hainley, Bruce, "Jorge Pardo," Artforum, December 1998, pp.135-6
Kandel, Susan, "Home Work," Artforum, November 1998, pp. 92-93.
Knight, Christopher, "Stay-at-Home Artist," LA Times Calendar, 17 October 1998,
F14
Dziewior, Yilmaz, "Interview mit Jorge Pardo," Kunsthalle Koln May 98. May 1998
Lewis, Christopher, "Pardo's House on a Hill", Art in America, December 1998,
p. 35
Liebmann, Lisa, "Jorge Pardo," Artforum, December 1998, p.96
Rossmann, Andreas, "Landnahme fur die Kunst", Frankfurter Allegmeine Zeitung
10 August 1998, p.35
Schneider, Iris, "Noon Art," Los Angeles Times Best Bets, 10-11 October 1998
Schulze, Karin, "Welcome to the Sculpture," Spiegel, November 1998, pg. 6- 10
Smith, Roberta, The New York Times, 12 June 1998, p. E37
Steiner, Barbara, "Ein Haus, Das Kein Haus Ist", Neue Bildende Kunst , August-
September 1998, p. 24-29
1997
Brooks, Rosetta, "Jim Iserman and Jorge Pardo at Richard Telles", LA Weekly, 27
December -2 January 1997, pg. 41
Buchloh, Benjamin, "Sculpture Projects in Muenster", Artforum, September
1997, pp. 115-117
Bush, Kate, "Design for Life", Frieze, September/ October 1997, Issue 36,
pp.52-57
Decter, Joshua, Artforum, Summer 1997, p. 142
Feaver, William, "Frankly, this Place is Going Down the Drain," The Observer,
London, 20 July 1997
The Guardian- London, "Is this the Cutting Edge, 22 July 1997
Grabner, Michelle, "Jorge Pardo: Living Without Boundaries", Sculpture
Magazine, December 1997, pp. 38-41
Hainley, Bruce, "Bastards of Modernity", Artforum, March 1997, pp.98-9
Hampstead & Highgate Express- London, "Position of Pretension", August 1,
1997
Iannaccone, Carmine, frieze, March/April 1997, pp. 83-4
Ingleby, Richard, "Down the Pan", The Independent- London, 25 July 1997
Kathryn Hixson, New Art Examiner, June 1997, p. 36
Killiam, Brad "Veneer Plywood", Art Muscle, January-February, 1997, p. 22
Musgrave, David, Art Monthly- London, No. 209, September 1997, pp.40-42
Sherlock, Maureen, "The Sentimental Education of a Solitary Walker",
New Art Examiner, September 1997, pp.25-31, 69
Slyce, John, What's On- London, 27 August 1997, p.17
Smith, Roberta "A Channel-Surfing Experience with Beanbag Chairs and Gym",
The New York Times, 25 April 1997, p. C22
Sonna, Birgit, "Kunst mit Altmuhl und Amobe",Suddeutsche Zeitung, Nr.27, p. 14
Walker, Hamsa, Dialogue, May-June, 1997, pg. 25
Ziegler, Ulf Erdmann, "Open City: Report from Munster", Art in America,
September 1997, no.9, pp.34-39
1996
Guth, Peter, "Menschenstroeme im Licht-Atem", Frankfurter Allgemeine Zeitung,
20 March 1996 , p. 37
Hegewisch, Katherina, "Die Kunst der drei Grazien", Wochenpost 21 March
1996, pp.38-39
Herbstreuth, Peter "The First Summer of Art in the Nineties", Atelier, International
number 831, November 1996, pp.17-36
Herbstreuth, Peter "In ig fuereinander bestimmt", Der Tagesspiegel, 15 March
1996, No. 15567, p.23
Herbstreuth, Peter "Jorge Pardo in der Galerie neugerriemschneider", Das Kunst-
Bulletin, #10, 1996, p. 36
Husemann, Ralf, "Schrille Toene: Die Kunst in neuen Leipziger Messebau",
Sueddeutsche Zeitung 15 March 1996: 14
Manetas, Miltos "Jorge Pardo", Flash Art, Summer 1996, p. 132-133
Pagel, David, Los Angeles Times, Friday, 27 November 1996, p. F30
Schmerler, Sarah, "4 Rms,Video Vu", Time Out New York, May 1-8, 1996, p.36
Volk, Gregory. "Jorge Pardo at Friedrich Petzel", Art in America, December
1996, p. 93
1995
Dziewior, Yilmaz "Jorge Pardo", Artforum 34, #3 November 1995, p. 100
Greene, David A., "I Saw the Light (and Space)...and It Was Good", Los Angeles
Reader, 21 April 1995, p.24
Mueller, Sabine "Der Betrachter Prallt Zurueck", Koelner Stadt-Anzeiger, 2 June
1995, p. 14
Schneider, Christiane, "Jorge Pardo", Frieze, September/October 1995, p. 81-83
1994
Avgikos, Jan, Artforum, April 1994
Choon, Angela, "Openings", Art & Antiques, February 1994, p. 26
Clothier, Peter, "Pure Beauty", Art News 94, #2 February 1994, p. 132.
Cohen, Michael, "Pachuco Style",Flash Art, 27 # 176, May/June 1997, pp. 87-90
Fricke, Harald,"Kunst in Berlin jetzt: Jorge Pardo", die tageszeitung, Berlin, May
1994 21: 18
Goldstein, Ann, Pure Beauty. cat. Paris: The American Center, 1994 Reader,
21 April 1994, p. 24
Kanjo, Kathryn, Breakdown Exh. cat. San Diego: San Diego Museum of Art, 1994
Schneider, Christiane "Jorge Pardo", Jahresring 41, pp. 34-35
Pinkus, Robert L., "Show's ideas are too clever, too obvious and forgettable", San
Diego Union Tribune, 5 Mayn 1994, p. 32
Schmidt-Wulffen, Stephan ,"Notizen Zu Skulptur Und Gegenwart", Neue
Bildenede Kunst, February-March 1994, pp. 16-21
Texte zur Kunst, November (cover illustation.)
Wilson, William, "Pure Beauty: Irony Becomes Stale Second Time Around",
Los Angeles Times, 27 September 1994, p. F14
1993
Bellars, Peter, "A Four-Man Show with New Ideas", Asahi Evening News, 21
March, 1993, p.9
Blum, Timothy, and George Porcari, Jorge Pardo Exh. cat. Tokyo: Person's
Weekend Museum, 1993
Greene, David A., "Jorge Pardo at Thomas Solomon's Garage"Art Issues 29,
September- October, p.38
Pagel, David, "Young Lamplighter", Los Angeles Times, Thursday, 12 April 1993,
p. F8
Scarbourough, James, "Jorge Pardo: Thomas Solomon's Garage", Flash Art 26
# 172, October 1993, pp. 88-89
1992
Kane, Mitchell, Curator for Pressure on the Public program and catalog with 10
artists,
The Hirsch Farm Project, Hillsboro, Wisconsin, 1992
Knight, Christopher, "10 California Artists: 'Facing the Finish", Los Angeles Times,
1 May 1992, F24
1991
Geer, Suvan, "Jorge Pardo Gets Honest About Hype", Los Angeles Times,
2 August 1991, p. F18
Kandel, Susan, "L.A. in Review: Jorge Pardo", Arts, October 1991, pp 102-3
Riley, Robert "Remodeling: Notes on Nayland Blake, Jim Campbell, James Luna,
Jorge Pardo, and Millie Wilson" in Facing the Finish Exh. cat. San Francisco: San
Francisco Musum of Modern Art, 1991
Van Proyen, Mark "Born to Shop: 'Facing the Finish' at the San Francisco
Museum of Modern Art" Artweek 24 October 1991, pp. 1, 15-16
1990
Brougher, Nora Halpern, "Jorge Pardo", Flash Art 23 #154, October 1990,
pp. 156-157
Kornblau, Gary,"Jorge Pardo at Thomas Solomon Gallery" Art Issues,
September/October 1990, p. 35
Museum of Contemporary Art, Los Angeles
Boijmans Van Beuningen Museum, Rotterdam, Holland
Museum van Hedendaagse Kunst, Ghent, Belgium
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Miami
Lamps, Sotheby's, New York, 2001
Project, Dia Center for the Arts, New York, 2000
Autobahn-Raststatte, Pratteln, 2000
Fabric Workshop & Museum, Philadelphia, 1999
4166 Sea View Lane, Los Angeles, 1998
Pier, Muenster, 1997
Tomatensuppe, Koln, 1997
Lighthouse , Museum Boijmans-van Beuningen, 1997
Clock, clock, clock, clock, clock (you have to say it fast), Stuttgart, 1997
Reading Room, Boijmans Van Beuningen Museum, Rotterdam, 1996
Smithsonian American Art Museum Lucelia Award
The Louis Comfort Tiffany Foundation