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EXHIBITION

Kei Takemura

"even if we're not together"

1 - 29 September, 2007

 

click to enlarge
"a renovated saucer without cup" 2007
Japanese silk thread, Italian synthetic cloth, German
broken saucer which cup was already broken then used as a sauser for
flower pot then broken, 16 x 16 x 2 cm
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“badking” 2007
Japanese silk thread, Italian synthetic cloth, broken
slovene pottery which was broken between the book "A la recherche du
temps perdu" by Marcel Proust, shuttlecock which cannot fly in order
10 x 10 x 15 cm
click to enlarge
"even if we're not together" 2007
Japanese silk thread, Italian synthetic cloth, colour print,
B&W print which image was taken by M.B. somewhere in Africa, colour
spray, 260 x 530 cm
click to enlarge
“for E.G.” 2007
crayon, German wall paper, color spray, 51.5x37.1cm
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“how long from here to miami?” 2007
Japanese silk thread, Italian synthetic cloth, Japanese broken tape measure, pieces of colour copy, in
which Miamibeach is printed, scotch tape
24 x 4 x 11 cm
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"Is it Your glasses?" 2007
Japanese silk thread, German newspaper, broken glasses,
which was found in Linienstr.
18 x 18 x 7 cm
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“known and unknown people, who were going up in A. city and W.city”
Japanese silk thread, Italian synthetic cloth, color copy, black and white copy
240 x 300 cm
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“meeting point 1”
Japanese silkthread, Italian synthetic cloth, B&W copy (part of picture which was taken by M.H. in Tel
Aviv), B&W copy (Part of picture which was taken by K.T. in NY),
185 x 200 cm
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"renovated Barrette" 2007
French Barrette which was broken by too thick hair of K.T.,
Italian synthetic cloth, Japanese silk thread
9 x 24 x 6 cm
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“renovated coffee-mag 4” 2007
Japanese silk thread, Italian synthetic cloth, broken
coffee mag-cup which was used by M.S. in Sydney,
Australian news paper on June 8. 2006
13 x 15 x 12 cm
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“renovated eco-bulb” 2007
Japanese silk thread, Italian synthetic cloth, broken eco-bulb, which was used by K.K.
18 x 5 x 5 cm
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“renovated glass” 2007
Japanese silk thread, Italian synthetic cloth, glass which was used by Y.T.
7cm x 16cm
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"renovated hour glass" 2007
Japanese silk thread, Italian cloth, K.T.'s broken
hourglass which was used for time to clean up her teeth
9.5 x 4 cm
click to enlarge
“renovated salad bowl” 2007
Japanese silk thread, Italian synthetic cloth, German
broken salad bowl
18 x 21 x 10 cm
click to enlarge
“renovated salad dish” 2006
Japanese silk thread, Italian synthetic cloth, broken salad
dish which was used by Y.T in Berlin.
22.5 x 25 x 4 cm
click to enlarge
"renovated K.K.'s tea cup" 2007
Japanese silk thread, Italian synthetic cloth, K.K.'s tea cup which K.T.
used at her home, 13 x 12 x 6 cm
click to enlarge
“renovated wine glass” 2007
Japanese silk thread, Italian synthetic cloth, wine glass which was used by Y.T.
11 x 15 x 21cm
click to enlarge
“with R.M.'s desk” 2007
Japanese silk thread, Italian synthetic cloth, B&W copy,
color copy, transparency, German needle, 530 x 265 cm

Taka Ishii Gallery is pleased to announce our solo exhibition "even if we're not together" with Berlin-based artist Kei Takemura. This exhibition is her second solo exhibition with the gallery, and includes a new installation of four large works (100" x 127") comprised of two layers of embroidery and photograph/drawing, as well as small sculptures from the series "renovation."

I made my latest works considering as a motif people who live in parallel time with me. The scene M.B. saw during his stay in Africa, the coast I saw in Miami. The room of my friend R.M. who moved to Berlin after January 17th quake. A destroyed house near my parent's house. The scene A.F. saw when he visited his hometown, Abadan. The scene M.H. saw when he passed through Tel Aviv. A hundred flowers that my friend, an old German woman E.G. hand-crocheted.

I chose some of scenes from photographs given to me by people I know, scenes in which I did not participate yet touched my memory, then I overlapped my memory of other places and times to transform images. By this process, I consciously tried to make a composition of image and a selection of color which might best serve to embody memories.

For Takemura, the act of embroidery is to create a state of being "tentative." She consideres her memory through an objective practice. This state of "tentative" is embodied in her action and is based on her thought that this status equals the present state of art. She presents her works as a point of view, as means to find beauty itself and also as a prompt to consider the relationship between a point of view and an environment.

When the light falls on photographs and drawings peek through organdy, and the shadow of embroidery is layered in line, the memory of place is evoked through the image. The artist's memory does not consist of her memory but interrelated memories of an other. This traverses a border gradually* and evokes universal memories which may involve unknown people.

Biography Kei Takemura was born in 1975, Tokyo. Lives and works in Berlin. 2002 Tokyo National University of Fine Art and Music, MA 2004 Berlin Art Academy, Prof. Lother Baumgarten, BA 2004-2007 Agency for cultural Affairs, Japan Scholarship. 2004 Debut exhibition "For dearest You" at Taka Ishii Gallery, "Kei Takemura" at Galerie Alexandra Saheb, Berlin. 2006 15th Biennale of Sydney, Sydney Publication: "Takemura Kei in Berlin 2000-2005" (2005, Taka Ishii Gallery)

New Publication: Kei Takemura "even if we're not together," published by goldrausch