Ei ARAKAWA

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PERFORMANCES

2008

• homelessness, YUMING CITIES, Yokohama Triennale, Kanagawa, Japan
  Grand Openings, Bumbershoot 08, organized by The Henry Art Gallery, Seattle Center, Seattle
  Dance, Not yet titled (October 12, 2008), New Museum, New York
  Friendships, Outsides, curated by Anthony Huberman, Front Room at Contemporary Art Museum, St. Louis
  Edinburgh Grand Openings, Finishing School at Edinburgh College of Art, organized by Clémente Deliss and The Embassy, Edinburgh, UK, with Stefan Tcherepnin
  Grand Openings, Museum Moderner Kunst (MUMOK), Vienna, Austria
  Non-solo show, Non-group show, Ei Arakawa/Henning Bohl/Nora Schultz, Franco Soffiantino Arte Contemporanea, Turin, Italy
  Egypted, curated by Will Benedict, Kunsthalle Exnergasse, Vienna, Austria

2007

• BYOF, Performa07, Japan Society, New york, with Amy Sillman
  “ghost/fantasma” the magazine in North Italy, International Prize for Performance – Third edition, Galleria Civica in collaboration with centrale FIES, Trento, Italy
  RIOT THE 8 BARS, Neue Gsellschaft für Bildende Kunst (NGBK), Berlin
  Azimi Book, One Season in Hell, organized by Nick Mauss and Ken Okiishi, Gavin Brown’s enterprise, New York
  Two Grahams, Dead Already, organized by Kim Gordon and Jutta Koether, Reena Spaulings Fine Art, New York
  1979 Pink Floyd as Reconstruction Mood, Various Small Fires, Royal College of Art, London
  Regard de l’Ionosphere, Sutton Lane, Paris, France, as Togawa Fan Club

2006

• Canal into the New Century, Meerrettich On Ice, Völksbühne Sternfoyer am Rosa-Luxemburg-Platz, Berlin, as Togawa Fan Club
  Energy for Remodeling, Movement Research at the Judson Church “About Town”, the Judson Church, New York, as Togawa Fan Club
  Galerie Meerrettich, Berlin, Germany, a performance for The Metal Magazine with Nora Schultz
  Eurovision 2006 as Reconstruction Mood, Galerie Gisela Capitain, Cologne
  Grand Openings in Tsunan High School, Echigo-Tsumari Art Triennial 2006, directed by Fram Kitagawa, Niigata, Japan
  Grand Openings (Work in Progress from Lower East Side), magicalART ROOM, Tokyo, Japan Grand Openings at Bard College, Annandale-on-Hudson, NY
  Toward A Standard Risk Architecture, The Dimes of March, Reena Spaulings Fine Art, New York

2005

• Patti’s New Mantra, Empty Space WITH Exciting Events, curated by Christian Rattemeyer, Artists Space, New York, with Sam Lewitt
  Grand Openings, Performa05, organized by Jay Saders, Anthology Film Archives, New York Pat Palermo’s RIOT THE LOOSE CIG, LTTR 22nd Street Block Explosion, Printed Matter, Inc., New York
  RIOT THE BAR, Bard College, Annandale-on-Hudson, NY
  Metropolis, Greater New York 2005, P.S.1 Center for Contemporary Art, Long Island City, NY

2004

• Mid-Yuming as Reconstruction Mood, LeRoy Neiman Gallery, Columbia University, New York
  The Time at the End of This Writing, The Poetry Project at St. Marks Church, New York, with Paolo Javier
  On Kawara’s Esperanto, Greene Naftali Gallery, New York
  Mid-Yuming as Reconstruction Mood, Reena Spaulings Fine Art, New York

2003

• Nemo Has No Name 1 – 5, The Club in the Shadow curated by Jutta Koether and Kim Gordon, Kenny Schachter ConTEMPorary, New York, with Nick Alexander