Ei ARAKAWA

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SELECTED BIBLIOGRAPHY

2009

• Kitamura, Katie, Frieze Magazine (Issue 125, September2009), London
  Hara, Hisako, Studio Voice (Vol. 403, July 2009), Tokyo
  “Excerpts from Grand Openings Book”, May No.1 (06/2009), Paris, France
  Huberman, Anthony, “Frantic: the performative instability of Ei Arakawa”, Mousse Magazine (Issue 19, June – July 09), Milan, Italy, p. 37 – 39
  The Younger Than Jesus Artist Directory, 2009, New Museum, NY, p. 22
  Kleinman, Adam, “CRISIS MANUALS”, Texte zur Kunst (Issue No. 73, March 2009), Berlin, Germany, p. 178
  Strau, Josef, “Ei Arakawa: A Non-Administrative Performance Mystery”, Parkett (Issue 84, Spring 2009), Zurich/NY, p.158
  New York Artists Dictionary, Flash Art International (January – February 2009), Milan, Italy, p. 74

2008

• Kato, Emiko, Studio Voice (Vol. 395, November 2008), Tokyo, p. 132 – 133
  Strau, Josef, “Grand Openings in Vienna,” TOP TEN, Artforum International (September 2008)
  Carrion-Murayari, Gary, “Production Anxiety,” Domus (June 2008), Milan, Italy, p. 98
  Bildstrecke, Texte Zur Kunst (Issue 70, June 2008), Berlin, Germany
  Coburn, Tyler, “Ones to Watch,” Art Review (Issue 20, March 2008), London, p. 106
  Tomii, Reiko, Art on Paper (Vol. 12, No. 4, March/April 08)
  Busta, Caroline, “Actor’s Studio,” Artforum International (February 2008)

2007

• Junco, Marcel, VIEW, UOVO/15 Achromatic – Interviews, Conversations, Collaborations, Torino, Italy, p. 336-337
  Trezzi, Nicola, Flash Art Performance, flashartonline.com, http://www.flashartonline.com/OnWeb/EI%20ARAKAWA.html
  Carlson, Benjamin, “Introducing,” Modern Painters (December-January 2007/2008), p. 74-75
  Morgan, Robert C., “Making a Home: Japanese Contemporary Artists in New York,” The Brooklyn Rail (November 2007)
  Rosenberg, Karen, “Willingly or Unwillingly, Calling New York Their Home,” The New York Times (November 9)
  Cotter, Holland, “Hula Hoops, Marathon Piano, Revisited Happenings: Artists, Start Your Concepts,” The New York Times (November 2)
  Tomii, Reiko, “Dictionary of Ei Arakawa,” exhibition catalogue Making a Home, 74-75, Japan Society Gallery, New York
  Mears, Emily Speers, “Gallery Walks London,” Texte zur Kunst (June 2007), Berlin, Germay, p. 82 of 2nd book
  Parry, Fiona, “Architectural Doubts,” exhibition catalogue Various Small Fires, Royal College of Art, London

2006

• Illust, …, Gareth James, John Kelsey, Josef Strau, Portikus, Frankfurt, Germany, p. 122-123 “Alternative Recomment,” Quest, (No. 32, November 2006), Tokyo, p. 29 Mears, Emily Speers, “On The Verge of the Audience,” Texte Zur Kunst (September 2006), Berlin, Germany Stillman, Nick, “An Art Brand,” Flash Art International (May-June 2006), p. 96 Cotter, Holland, “Whitney Independent Study Program,” The New York Times, (March 12)Burlap, Toni, “The Euclidean Triangle,” catalog, Whitney Biennial 2006 Day for Night, New York, p. 36 Stillman, Nick, “The Dimes of March,” artforum.com, New York Critic’s Pick, http://www.artforum.com/archive/id=10681

2005

• Cotter, Holland, “Visions from Nigeria and India and a Van Searching for Utopia,” The New York Times (December 25) Kelsey, John, BEST OF 2005, Artforum International, (December 2005), p. 252-253 Mauss, Nick, “The Artists’ Artists,” Artforum International, (December 2005), p. 108 “1960s Japan: Art Outside the Box,” The Review of Japanese Culture and Society, (December 2005), Inter-Cultural Society and Education of Josai University, p. 116 Rabinowitz, Cay Sophie, “Ei Arakawa’s Six Degrees of Subtlety,” Art Papers, (September/October 2005), Atlanta, p. 25-27

2004

• Tomii, Reiko, Genzai Tsushin from New York, The Shin-Bijutsu Shimbun, (October 2004), Tokyo Harris, Jane, “The Very Idea,” Time Out New York, (August 5 – 12, 2004), NY, p. 15 Koether, Jutta, “Ich Will Eine Stadtkünstlerin Seinm,” Texte Zur Kunst, (June 2004), Berlin, Germany, p. 74 Tomii, Reiko, Genzai-Tsushin from New York, The Shin-Bijutsu Shimbun, (May 2004), Tokyo

Exhibition Catalogs indicated by (exh. cat.) above

2008

• Maerkle, Andrew, “Yokohama Triennale curators puzzle locals,” The Japan Times Online (September 18)
  Strau, Josef, “Grand Openings in Vienna,” TOP TEN, Artforum International (September 2008)
  Anthony Huberman interviewed by Nicola Trezzi, Flash Art Performance, flashartonline.com
  “Ei Arakawa Henning Bohl Nora Schultz,” Art e Critica (Anno 15, Numero 55, giugno-agosto 2008), Rome, Italy
  Carrion-Murayari, Gary, “Production Anxiety,” Domus (June 2008), Milan, Italy, p. 98
  Bildstrecke, Texte Zur Kunst (Issue 70, June 2008), Berlin
  Coburn, Tyler, “Ones to Watch,” Art Review (Issue 20, March 2008), London, p. 106
  Tomii, Reiko, Art on Paper (Vol. 12, No. 4, March/April 08)
  Busta, Caroline, “Actor’s Studio,” Artforum International (February 2008)

2007

• Licata, Christine, Degree Critical, http://artcriticism.sva.edu/degreecritical/?p=66
  Buffa, Patricia, SPOTLIGHT: Performance a Trento, Flash Art Italia (December – January 2007/2008) Milan, Italy
  Junco, Marcel, VIEW, UOVO/15 Achromatic – Interviews, Conversations, Collaborations, Torino, Italy, pp. 336-337
  Trezzi, Nicola, Flash Art Performance, flashartonline.com, http://www.flashartonline.com/OnWeb/EI%20ARAKAWA.html
  Carlson, Benjamin, “Introducing,” Modern Painters (December-January 2007/2008), pp. 74-75
  Morgan, Robert C., “Making a Home: Japanese Contemporary Artists in New York,” The Brooklyn Rail (November 2007)
  Rosenberg, Karen, “Willingly or Unwillingly, Calling New York Their Home,” The New York Times (November 9)
  Cotter, Holland, “Hula Hoops, Marathon Piano, Revisited Happenings: Artists, Start Your Concepts,” The New York Times (November 2)
  Tomii, Reiko, “Dictionary of Ei Arakawa,” exhibition catalogue Making a Home, 74-75, Japan Society Gallery, New York
  Ammirati, Domenick, “UNDERDOGS AND ALSO-RANS,” Modern Painters (July-August 2007), pp. 37-38
  Mears, Emily Speers, “Gallery Walks London,” Texte zur Kunst (June 2007), 82 of 2nd book, Berlin Herbert, Martin, “Various Small Fires,” Time Out London (April 4-10, 2007), p. 40
  Lee, Adrian, Artvehicle (issue 13), London http://www.artvehicle.com/ArtvehicleMailer/issue13/index.html
  Parry, Fiona, “Architectural Doubts,” exhibition catalogue Various Small Fires, Royal College of Art, London
  Illust., Togawa Fan Club, Matrose, edited by Megan Sullivan, Berlin

2006

• illust, …, Gareth James, John Kelsey, Josef Strau, Portikus, Frankfurt, 122-123
  “Alternative Recomment,” Quest, (No. 32, November 2006), Tokyo, 29
  Stewart, Christabel, webcasting of “Eurovision 2006 as Reconstruction Mood,” TRANSMISSIONS, SHOWstudio, London, http://www.showstudio.com/projects/transmissions/transmission.php/14716
  Mears, Emily Speers, “On The Verge of the Audience,” Texte Zur Kunst (September 2006), Berlin Stillman, Nick, “An Art Brand,” Flash Art International (May-June 2006), p. 96
  Cotter, Holland, “Whitney Independent Study Program,” The New York Times, (March 12)
  Burlap, Toni, “The Euclidean Triangle,” catalog, Whitney Biennial 2006 Day for Night, New York, p. 36
  Stillman, Nick, “The Dimes of March,” artforum.com, New York Critic’s Pick, http://www.artforum.com/archive/id=10681
  Illust., Holland Cotter, “The Collective Conscious,” The New York Times (March 5)
  Stewart, Christabel, webcasting of “Grand Openings,” TRANSMISSIONS, SHOWstudio, London, http://www.showstudio.com/projects/transmissions/section.php/5208/5426
  Iles, Chrissie, “Cabaret License,” Artforum International (January 2006), p. 95

2005

• Scott, Andrea K., “The Best and Worst of 2005,” Time Out New York, (December 28 – January 4, 2005), p. 66
  Cotter, Holland, “Visions from Nigeria and India and a Van Searching for Utopia,” The New York Times (December 25)
  Kelsey, John, BEST OF 2005, Artforum International, (December 2005), pp. 252-253
  Mauss, Nick, “The Artists’ Artists,” Artforum International, (December 2005), p. 108
  Rimanelli, David, “On the Ground/New York,” Artforum International, (December 2005), p. 222
  Illust., “BEST OF 2005,” Artforum International, (December 2005), p. 263
  North Drive Press #2, edited by Matt Keegan, New York, one-sided 7” with Richard Aldrich
  New Labor, conceived by Eric Angles, LeRoy Neiman Gallery, Columbia University, New York
  “1960s Japan: Art Outside the Box,” The Review of Japanese Culture and Society, (December 2005), Inter-Cultural Society and Education of Josai University, p. 116
  Rabinowitz, Cay Sophie, “Ei Arakawa’s Six Degrees of Subtlety,” Art Papers, (September/October 2005), Atlanta, pp. 25-27
  Fujimori, Manami, Bijutsu Techo, (September 2005), Tokyo, p. 107

2004

• Chan, Lynne, “Succeeding Where the Hippies Failed – Review, School of the Arts at Columbia University,” http://www.app.cc.columbia.edu/art/app/arts/visual_arts/viewNews.jsp?news=135
  Tomii, Reiko, Genzai Tsushin from New York, The Shin-Bijutsu Shimbun, (October 2004), Tokyo
  Tomii, Reiko, Sobyo, The Shinano Shimbun, (October 2004), Nagano
  Harris, Jane, “The Very Idea,” Time Out New York, (August 5 – 12, 2004), p. 15
  Koether, Jutta, “Ich Will Eine Stadtkünstlerin Seinm,” Texte Zur Kunst, (June 2004), Berlin, p. 74
  Illust., TOUS LES CHEVAUX DU ROI 5, Reena Spaulings Fine Art
  Tomii, Reiko, Genzai-Tsushin from New York, The Shin-Bijutsu Shimbun, (May 2004), Tokyo