Dan Graham

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GROUP EXHIBITIONS

2009

• KölnSkulptur 4, Skulpturenpark Köln, Cologne, Germany
• Interieur/Exterieur. Wohnen in der Kunst, Kunstmuseum Wolfsburg, Wolfsburg, Germany
• Vivre l’art – Collection Venet, Espace de l’art concret, Mouans Sartoux, France
• MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany
• Sonic Youth etc.: Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany; Museum of Malmö, Malmö, Sweden
• REGIFT, Swiss Institute, New York
• Of Other Spaces, Canzani Center Gallery/Bureau for Open Culture, Columbus College of Art & Design, Columbus, Ohio
• Universal Archive: The Condition of the Document and the Modern Photographic Utopia, Museu Colecçao Berardo, Lisbon, Portugal
• A mancha humana / the human stain, Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain

2008

• The Puppet Show, ICA, University of Pennsylvania, Philadelphia; Santa Monica Museum of Art, Santa Monica, California
• Color Chart: Reinventing Color, 1950 to Today, Museum of Modern Art, New York, New York
• Modernism: On and Off the Grid, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York

2007

• Edit! Photography and Film in the Ellipse Collection, Ellipse Foundation, Cascais, Portugal

2006

• Strictment confidentiel. Á partir de la collection de Marc et Josée Gensollen, Centre Internation d’Art et du Paysage de I’Île Vassivière, France
• The Second Guangzhou Triennial: Beyond an Extreordinary Space Experimentation for Modernization, Guangdond Museum of Art, Guangzhou, China
• Don’t Trust Anyone Over Thirty, in collaboration with Tony Oursler and Rodney Graham, Walker Art Center, Minneapolis, Minnesota; UCLA Hammer Mseum, Los Angeles, California
• Day for Night, Whitney Biennial, New York
• Sao Paolo Biennial, Sao Paolo, Brazil
• Public Space/Two Audiences, Museu d' art Contemporani de Barcelona, Spain; Kunsthaus Graz, Graz, Austria
• Draft Deceit, Office for Contemporary Art Norway, Oslo, Norway
• Hacia el Espacio/ Towards Space, Communidad de Madrid, Madrid, Spain
• Minimalism and After IV: Daimler Chrysler Collection, Berlin, Germany
• Gartden, Centro Sperimentale per le Arti Contemporanee Convento di Cappuccini, Caraglio, Italy
• The Early Show: video from 1969-1979, The Bertha and Karl Leubsdorf Art Gallery at Hunter College
• Emilio Prini: Manifesto Bianco, Diapason, New York; RAM, Rome, Italy

2005

• Strictement Confidentiel, Centre International d' Art et du Paysage de I'lle Vassivière, Vassivière, France
• Beyond an Extraordinary Space of Experimentation for Modernization, The Second Guangzhou Triennial, Guangzhou, China
• Open Systems: New art in the 1960s and 1970s, Tate Modern, London
• Contradicting Architecture, Galerie Marian Goodman, Paris
• The Experience of Art, 51st Venice Biennale, Venice, Italy
• Occupying Space: The Generali Collection, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands

2004

• Behind the Facts (Interfunktionen) 1968-75, Museu de Serralves, Porto, Portugal; Fundacio Joan Miro, Barcelona, Spain; Kunsthalle Fridericianum, Kassel, Germany Ombre du temps, Jeu de Paume, Paris, France
• Uses of the Image: Photography, Film and Video in The Jumex Collection, Malba –Coleccion Costantini and Fundacion Telefonica, Buenos Aires, Argentina
• Friedrich Christian Flick Collection, Hamburger Bahnhof Museum für Gegenwart, Berlin Beyond Geometry: Experiments in Form, 1940s-70s, Miami Art Museum, Miami, Florida
• The Last Picture Show: Artists Using Photography 1960 – 1982, Fotomuseum, Winterthur, Switzerland
• A Minimal Future? Art as Object 1958-68, The Geffen Contemporary at The Museum of Contemporary Art, Los Angeles, California
• Metamorph: 9th International Exhibition of Architecture, La Biennale di Venezia, Venice, Italy
• Reflecting the Mirror, Marian Goodman Gallery, New York, New York

2004-03

• The Last Picture Show: Artists Using Photography, 1960-1982, Walker Art Center, Minneapolis, Minnesota; UCLA Hammer Museum, Los Angeles, California

2003

• Dreams and Conflicts – The Viewer’s Dictatorship, La Biennale di Venezia, Venice, Italy
• Space Time Intervention, Video from 1968 – 79, Parsons School of Design, Department of Architecture, New York
• The Fourth Sex: The Extreme People of Adolescence, Fondazione Pitti Imagine Discovery, Florence, Italy
• The Big Picture: Recent Acquisitions from the Collection of Alison and Alan Schwartz, Vancouver Art Gallery, Vancouver, Canada
• A Sculpture Show, Marian Goodman Gallery, New York, New York
• Art Lies and Videotape, Tate Liverpool, Liverpool, England
• Video Acts: Single Channel work from the Collection of Pamela and Richard Kramlich and the New Art Trust, Institute of Contemporary Art, London, England
• Collection, Generali Foundation, Vienna, Austria
• Fotografie, Video, Mixed Media, organized by Daimler Chrysler Contemporary, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
• 7th Art Series: Process into Film, San Francisco Museum of Modern Art, San Francisco,California

2002

• Passenger. The Viewer as Participant, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway
• I Promise it’s Political Ludwig Museum, Cologne, Germany
• Public Affairs Kunsthaus Zurich, Switzerland
• Video Acts: Single Channel Work from the Collection of Pamela and Richard Kramlich and the New Art Trust, P.S.1 Contemporary Art Center, New York
• Comer o no Comer (To Eat or Not to Eat), Salamanca 2002, Centro de arte de Salamanca, Spain
• My Head is on Fire but My Heart is Full of Love, Charlottenborg, Copenhagen, Denmark
• Fundamentalisms of the New Order, Charlottenborg, Copenhagen, Denmark
• Artists Imagine Architecture Institute of Contemporary Art, Boston, Massachusetts The 1970s: Art in Question, The Bordeaux capcMuseum of Contemporary Art, Bordeaux, France

2001

• Into the Light, The Whitney Museum of American Art, New York, New York
• Central Space, ZKM, Karlsruhe, Karlsruhe, Germany
• Dan Graham, Reflective Glass Moon Windows, Shima/Islands, Shigemori Residence, Kyoto, Japan

2000

• Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Works from the Collection of Annick and Anton Herbert, Casino Luxembourg-Forum 9 d’art contemporain, Luxembourg Artisti e Architetti: La collezione del FRAC Centre di Orléans, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy (2000) L’oeuvre Collective, les Abattoirs, Toulouse, France
• Quotidiana, The Continuity of the Everyday in 20th Century Art, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
• In The Midst Of Things, Bournville, Birmingham, England
• Dream Machines, Royal Festival Hall, Hayward Gallery, London, England
• Postmedia, Conceptual Photography in the Guggenheim Museum Collection, The Solomon R. Guggenheim Museum, New York, New York
• Hausschau, Deichtorhallen, Hamburg, Germany
• Insites, Interior Spaces in Contemporary Art, Whitney Museum American Art at Champion, Stamford, Connecticut
• La Ville/Le Jardin/Le Mémoire, Académie de France à Rome, Villa Medicis, Rome, Italy Hamburger Kunsthalle, Hamburg, Germany
• Media City Seoul 2000, Contemporary Art and Technology Biennial, Seoul, Korea

1999

• Nobodies Home, Momenta Art, Brooklyn, New York “Seeing Time: Selections from the Pamela and Richard Kramlich Collection,” San Francisco Museum of Modern Art, San Francisco, California
• Circa 1968, Serralves Museum of Contemporary Art, Porto, Portugal
• American Century: Art and Culture (1950-2000), Whitney Museum of American Art, New York, New York
• The Self is Something Else: Art at the End of the 20th Century, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
• Tomorrow For Ever, Photographie als Ruine, Kunst Halle Krems, Basel, Switzerland
• ART in Living Room, arkipelagTV, Stockholm, Sweden
• Isla des Esculturas, Xacobeo ’99, Galicia, Spain
• Rewind to the Future, Bonner Kunstverein August-Macke-Platz, Bonn, Germany
• New Art. New Ideas. New Walls, Contemporary Museum, Baltimore, Maryland

1998

• Breaking Ground, Marian Goodman Gallery, New York, New York
• I Love New York, Museum Ludwig Köln, Cologne, Germany

1997

• Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster, Germany
• Documenta 10, Kassel, Germany
• In Visible Light, Museum of Modern Art, Oxford, England
• Whitney Biennial, Whitney Museum of American Art, New York, New York
• Citta’ Natura, Mostra Internazionale di Arte Contemporanea, Rome, Italy
• Unité de Production & de Création Contemporaine, Encore Bruxelles, Brussels, Belgium
• Rooms with a View: Environments for Video, Guggenheim Museum Soho, New York, New York
• Kunst in der Leipziger Messe, Leipziger Messe GmbH, Leipzig, Germany
• Paper Trail, Pierogi 2000, Brooklyn, New York
• P.S. 1, P.S.1/Institute for Art and Urban Resources, Long Island City, New York

1996

• Everything That's Interesting is New: The Dakis Joannou Collection, an exhibition organized by the Deste Foundation, Athens, Greece, in conjunction with the Museum of Modern Art, Copenhagen, Denmark
• Light Construction, Museum of Modern Art, New York, New York
• Project for Survival, National Museum of Modern Art, Kyoto, Japan; National Museum of Modern Art, Tokyo, Japan
• Home Show II, Santa Barbara Contemporary Arts Forum, Santa Barbara, California City Space, Copenhagen, Denmark

1996-95

• 1965-75: Reconsidering the Object of Art, Museum of Contemporary Art, Los Angeles, California

1995

• Intervenciones en el espacio/Interventions in Space, Museo de Bellas Artes, Caracas, Venezuela
• Artistes/Architects, Le Nouveau Musée-Institut d’Art Contemporain, Villeurbanne, France
• Mapping, American Fine Arts, New York, New York
• ARS 95, Museum of Contemporary Art, Helsinki, Finland
• Public Information: Desire, Disaster, Document, San Francisco Museum of Modern Art, San Francisco, California
• Dan Graham and Moriko Mori, American Fine Arts, New York, New York
• Lyon Biennial, Lyon, France
• “L’Effet Cinema Quand l’Image Raconte,” Musée d’Art Contemporain, Montreal, Quebec
• Maison de Lyon, Lyon, France

1994

• House Rules, Wexner Center for the Arts, Ohio State University, Columbus, Ohio Radical Scavenger(s): The Conceptual Vernacular in Recent American Art, Museum of Contemporary Art, Chicago, Illinois
• Films on Art, National Gallery of Art, Washington, D.C.
• Public Domain, Centre d’Art Santa Monica, Barcelona, Spain
• East of Eden, Museum Schloss Mosigkau, Dessau, Germany
• Corpus Loquendi-Body for Speaking, Dalhousie University, Halifax, Nova Scotia
• Multiple Dimensions, O Museu Temporario, Lisbon, Portugal
• Inaugural Exhibition, Musée d’Art Moderne et Contemporain, Geneva, Switzerland
• Don’t Look Now, Thread Waxing Space, New York, New York
• Crash, Thread Waxing Space, New York, New York

1993

• Passageworks, Rooseum, Mälmo, Sweden
• American Art of the Twentieth Century, Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts, London, England
• 5th Semaine Internationale de Video, Saint-Gervais, Geneva, Swizerland

1992

• Transform, Kunstmuseum und Kunsthalle, Basel, Switzerland
• Marian Goodman Gallery, New York, New York
• Documenta 9, Kassel, Germany
• Cameres Indiscretes, Generalitat de Catalunya, Department de Cultura, Barcelona, Spain
• Queues, Rendez-vous, Riots: Questioning the Public, Walter Phillips Gallery, Banff, Alberta
• Manette et Jacques Repriels. Vega 20 ans, Anciens établissements sacrés, Liège, Belgium

1992-91

• Passage de l'Image, Museum of Modern Art, San Francisco, California; Fundació Caixa de Pensions, Barcelona, Spain; Power Plant, Toronto, Ontario; Wexner Center for the Arts, Ohio State University, Columbus, Ohio

1991

• In anderen Räumen, Museum Haus Lange and Haus Esters, Krefeld, Germany Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania
• A Dialogue about Recent American and European Photography, Museum of Contemporary Art, Los Angeles, California
• Little Things Mean a Lot (Slice it Down to Size), Warmoesstraat at 12, Amsterdam, The Netherlands
• Konzept au Papier, XPO Galerie Ida Kaufmann Anton Rotger, Hamburg, Germany Juste en Dessous 6, Villa Arson, Nice, France
• A Group Show, Marian Goodman Gallery, New York, New York
• Enclosures and Encounters: Architectural Aspects of Recent Sculpture, Storm King Art Center, Mountainville, New York
• Inscapes, Foundation De Appel, Amsterdam, The Netherlands

1990

• A New Necessity, First Tyne International Exhibition of Contemporary Art, Newcastle, England
• Interventions. An Exhibition from the Collection of Delfryd Clelf, Art Gallery of Ontario, Toronto, Ontario
• Une Collection pour la Corse, Fonds Régional d’Art Contemporain Corse, La Citadelle, Corsica, France
• Conceptual Art. Conceptual Forms, Gallery 1900-2000 and Gallery de Poche, Paris, France
• Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago, Chicago, Illinois
• Some Seventies Work, Marian Goodman Gallery, New York, New York
• Pas à côté. Pas n'importe où 4, Villa Arson, Nice, France

1990-89

• Image World: Art and Media culture, Whitney Museum of American Art, New York, New York
• L'Art Conceptuel en Perspective, Musée Nationale d'Art Moderne, Paris, France; Caja de Pensiones, Madrid, Spain; Musée d'Art Contemporain, Montreal, Quebec; Deichtorhallen, Hamburg, Germany
• Wittgenstein, Ilet Spel van hel Naamloze/The Play of the Unsayable, Wiener Secession, Vienna, Austria; Palais des Beaux-Arts, Brussels, Belgium
• The Presence of Absence: New Installations, The University of Illinois at Chicago, Chicago, Illinois; University of Arizona Museum of Art, Tucson, Arizona; Laumeier Sculpture Park and Garden, St. Louis, Missouri; Albany Institute of History and Art, Albany, New York; Oakville Galleries in Gailroch Gardens, Oakville, Manitoba; University of Kentucky Art Museum, Lexington, Kentucky; Longview Museum and Arts Center, Longview, Texas; Prichard Art Gallery, University of Idaho, Moscow, Idaho; Museum of Art, The Pennsylvania State University Park Campus, University Park,Pennsylvania; The University of Iowa Museum of Art, Iowa City, Iowa; University Art Museum, University of New Mexico, Albuquerque, New Mexico

1989

• Some Detached Houses, Contemporary Art Gallery, Vancouver, British Columbia Exactement pas à côté 3, Villa Arson, Nice, France
• A Photo Show, Marian Goodman Gallery, New York, New York
• 23. Internationaler Kunstmarket, ART Cologne, Cologne, Germany
• Outdoor Projects, Ulla Klot, Hamburg, Germany
• Effets de Miroir, Gare de Paris-Austerlitz, Paris, France
• Theatergarden Bestiarium, P.S.1/Institute for Art and Urban Resources, Long Island City, New York; Confort-Moderne, Poitiers, France; Casino del Teatro Lope de Vega, Seville, Spain
• Les Graces de la Nature, Fonds Régional d’Art Contemporain des Pays de la Loire, Glisson, France
• Balkon mit Fächer, Akademie der Bildenden Künste, Berlin, Germany
• Hier Wird Getanzt, XPO Galerie Ida Kaufmann, Anton Rotger, Hamburg, Germany
• Kunstraum Buchberg 1989, Schloss Buchberg am Kamp, Vienna, Austria
• Not Photography, Meyers/Bloom, Santa Monica, California
• Skulpturen für Krefeld II, Museum Haus Esters, Krefeld, Germany
• “Suburban Home Life, Tracking the American Dream,” Whitney Museum American Art at Federal Reserve Plaza, New York, New York

1988

• A Group Show, Marian Goodman Gallery, New York, New York
• Cultural Geometry, Deste Foundation for Contemporary Art, Athens, Greece New Urban Landscape, 2 World Financial Center, New York, New York
• Balkon Mit Fächer, Akademie der Bildenden Künste, Berlin, Germany
• The Viewer as Voyeur, Whitney Museum American Art, New York, New York
• Future of Storefront, Storefront for Art and Architecture, New York, New York
• Accrochage I, Dennis Adams, Dan Graham, Louise Lawler, Galerie Meert Rihoux, Brussels, Belgium
• Schema, Baskerville and Watson, New York, New York
• 1967: At the Crossroads, Institute for Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania “Bilanz Balance,” Krefelder Kunstmuseum, Krefeld, Germany

1987

• 77-78, Musée National d'Art Moderne-Centre Georges Pompidou, Paris, France
• Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster, Germany
• Whitney Biennial, Whitney Museum American Art, New York, New York
• L’Epoque, la mode, la morale, la passion, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
• Group Exhibition, Marian Goodman Gallery, New York, New York

1986

• Chambre d'Amis, Museum van Hedendaagse Kunst, Ghent, Belgium
• Nouvelles Acquisitions, Musée National d'Art Moderne-Centre Georges Pompidou, Paris, France
• Off-Off Festival, Museum van Hedendaagse Kunst, Ghent, Belgium
• Cinema Objects, New York Cultural Center, New York, New York
• Videowochen im Wenkenpark, Basel, Switzerland
• Sonsbeek ’86. International Sculpture Exhibition, Arnhem, The Netherlands A.P., Comune di Marciana, Elba, Italy
• Arts Electroniques, Videomorphies Dan Graham, La Criée, Halle d’Art Contemporain, Rennes, France
• Video by Artists, Art Metropole, Toronto, Ontario
• Video, Hallwalls, Buffalo, New York
• Le Temps: Regards sur la Quatrième Dimension, Le Nouveau Musée-Institut d’Art Contemporain, Villeurbanne, France
• Ludger Gerdes, Dan Graham, Kaiser Wilhelm Museum, Krefeld, Germany

1985

• Doch, Doch, Klapstuk ’85, Arenberg Institute, Louvain, Belgium
• Les Immatériaux, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
• New Video Aquisitions, Museum of Modern Art, New York, New York
• Nouvelle Biennale de Paris, Villette, Paris, France
• The Art of Memory: The Loss of History, New Museum of Contemporary Art, New York, New York
• Le Temps, Le Nouveau Musée-Institut d’Art Contemporain, Villeurbanne, France

1984

• Repertoire (oeuvres de la Collection Anton Herbert), Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
• Vanishing Points, Moderna Museet, Stockholm, Sweden
• Skulptur im 20. Jahruhundert, Merian Park, Basel, Switzerland
• L'Art et le Temps, Palais des Beaux-Arts, Brussels, Belgium

1983

• 1, 2, 3, etc., Musée des Beaux-Arts et d'Archéologie Autun, Musée Rollin d’Autun, Autun, France
• Scenes and Conventions in Architecture by Artists, Institute of Contemporary Art, London, England

1982

• Documenta 7, Kassel, Germany
• 74th American Exhibition, Art Institute of Chicago, Chicago, Illinois
• Sydney Biennial, Sydney, Australia
• Thoughts and Actions, Japan Foundation at La Foret Museum, Tokyo, Japan
• Extended Photography, Wiener Secession, Vienna, Austria
• Live to Air, Artists’ Sound Works, Audio Arts, London, England
• Speigel-Bilder, Kunstverein, Hanover, Germany; Haus am Waldsee, Berlin, Germany
• 60-80 Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, The Netherlands Rock Religion: Architecture by Artists, Institute of Contemporary Art, London, England Sydney Biennial (sound section), Sydney, Australia

1981

• Artist as Architect/Architect as Artist, Ohio State University Gallery, Columbus, Ohio Construction in Process, Stowarzyszenie Tworcow Kultury, Lodz, Poland
• Video Classics, Bronx Museum of Arts, New York, New York
• Westkunst, Museen der Stadt Köln, Cologne, Germany

1980

• Radio by Artists, A Space, Toronto, Ontario “Video,” P.S.1/Institute for Art and Urban Resources, Long Island City, New Yor

1979

• Oeuvres Contemporaines des Collections Nationales, Accrochage III, Musée National d'Art Moderne-Centre Georges Pompidou, Paris, France
• 12 Films, Beeldende Kunstenaars, Stichting de Appel, Amsterdam, The Netherlands An Exhibition of Smaller Works by the Faculty of the Studio Division of the Nova Scotia College of Art and Design, Nova Scotia College of Art and Design, Halifax, Nova Scotia Perceiving Time and Space Through Art, Hartnett Gallery, University of Rochester, Rochester, New York
• Map met 12 Werken, Museum van Hedendaagse Kunst, Ghent, Belgium
• Concept, Narrative, Document, Museum of Contemporary Art, Chicago, Illinois
• 5 Artists Using Video, Gallery of the University of Western Ontario, London, Ontario
• 73rd American Exhibition, The Art Institute of Chicago, Chicago, Illinois

1978

• In Video, Art Gallery of Ontario, Toronto, Ontario
• Videotapes and Diagrams, Centre for Art Tapes, Halifax, Nova Scotia
• Video Pieces for Shop Windows and Arcades, Groningen, The Netherlands

1977

• Opening Exhibition of the Permanent Collection, Musée National d'Art Moderne- Centre Georges Pompidou, Paris, France Documenta 6, Kassel, Germany
• Time, Philadelphia College of Art, Philadelphia, Pennsylvania
• In Video, Dalhousie University, Halifax, Nova Scotia
• American Art in Belgium, Palais des Beaux-Arts, Brussels, Belgium

1976

• Ambiente Arte, Venice Biennial, Venice, Italy
• Dan Graham, Lawrence Weiner, Kunsthalle Basel, Basel, Switzerland

1975

• Video Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; Contemporary Arts Center, Cincinnati, Ohio; Museum of Contemporary Art, Chicago, Illinois; Wadsworth Atheneum, Hartford, Connecticut
• A Space: A Thousand Words, Royal College of Art, London, England
• Painting, Drawing and Sculpture of the ‘60s and ‘70s from the Herbert and Dorothy Vogel Collection, Institute of Contemporary Art, Philadelphia, Pennsylvania

1974

• New Acquisitions, Tate Gallery, London, England
• Art Video/Confrontation, ARC/Musée d'Art Moderne de la Ville de Paris, Paris, France
• Kunst bleibt Kunst: Projekt ’74, Kunstverein, Cologne, Germany

1972

• Documenta 5, Kassel, Germany Body, Loeb Student Center, New York University, New York, New York
• Fourth Floor Gallery, Halifax, Nova Scotia

1971

• 7th Paris Biennial, ARC/Musée d'Art Moderne de la Ville de Paris, Bois de Vincennes, Paris, France
• Prospect ’71, Städtische Kunsthalle, Düsseldorf, Germany
• Art de Sistemas, Museo de Arte Moderna de la Ciudad, Buenos Aires, Argentina The Boardwalk Show, Convention Hall, Atlantic City, New Jersey
• Earth, Air, Fire, Water: Elements of Art, Boston Museum of Fine Art, Boston,Massachusetts
• Sonnsbeek ’71. International Sculpture Exhibition, Arnhem, The Netherlands

1969

• Information, The Museum of Modern Art, New York, New York
• 955,000, Vancouver Art Gallery, Vancouver, British Columbia
• Art in the Mind, Allen Art Museum, Oberlin College, Oberlin, Ohio
• Artists and Photography, Multiples Gallery, New York, New York
• Recorded Activities, Moore College, Philadelphia, Pennsylvania

1969

• Konzeption-Conception, Stadtisches Museum, Leverkusen, Germany
• 557-087, Seattle Museum, Seattle, Washington
• Time Photography, Visual Arts Gallery, School of Visual Arts, New York, New York

1967

• Artist-Writers, Fordham University, New York, New York “Focus on Light,” New Jersey State Museum, Trenton, New Jersey
• Art in Series, Contemporary Wing of Finch College Art Museum, New York, New York Fifteen Artists Present Their Favorite Book, Lannis Museum of Normal Art, New York, New York
• Cre-action, Goucher College, Baltimore, Maryland

1966

• Projected Art, Contemporary Wing of Finch College Art, New York, New York Working Drawings and other Visible Things on Paper not Necessarily Meant to be Viewed as Art, Visual Arts Gallery, School of Visual Arts, New York, New York