Cerith WYN EVANS

GROUP EXHIBITIONS

Selected Group Exhibitions and Film Screenings

2008

• Always Begins by Degrees, The Common Guild, Glasgow
  Punk. No One is Innocent, Kunsthalle Wien, Vienna
  [SCENE MISSING], Georg Kargl Gallery, Vienna
  Martian Museum of Terrestrial Art, Barbican, London
  In The Beginning, University Art Gallery, UC San Diego, California
  Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield
  You Dig The Tunnel – I’ll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London
  Typed, Sadie Coles HQ, London
  Voice and Void, Galerie im Taxispalais, Innsbruck
  Leigh Bowery, Kunstverein, Hannover
  Everstill, Casa-Museo Federico Garcia Lorca, Granada

2007

• Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh
  Sculpture in the Close, Jesus College, Cambridge
  The Projection Project: Budapest episode, Műcsarnok Kunsthalle, Budapest
  Panic Attack! Art in the Punk Years, Barbican Art Gallery, London
  Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz
  This is the love of these, Magazin 4, Bregenz
  Romantic Conceptualism, Kunsthalle Nürnberg, Nürnberg ; BAWAG Foundation, Vienna
  The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London,
  Pale Carnage, Arnolfini, Bristol; Dundee Contemporary Arts, Dundee

2006

• All Hawaii entrées / Lunar Reggae, Irish Museum of Modern Art, Dublin
  How To Improve The World, Hayward Gallery, London
  'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
  Thank you for the music (London Beat), Sprüth Magers Lee, London
  The Expanded Eye, Kunsthaus Zürich, Zurich
  Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich
  Tate Triennial 2006: New British Art, Tate Britain, London

2005

• Flourish, Moravian Gallery, Brno, Czech Republic
  Thank you for the music, Sprüth Magers Project, Munich
  Light Art from Artificial Light, ZKM, Karlsruhe
  Pasolini E Roma, Museo di Roma, Trastevere
  9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul
  Seoul Film Festival, Seoul
  London in Six Easy Steps, ICA, London
  The Vanity of Allegory, Deutsche Guggenheim, Berlin
  I Really Should…, Lisson Gallery, London
  Summer Exhibition 2005, Royal Academy, London
  Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin.
  Light Lab, MUSEION, Bolzano
  Can Buildings Curate, AA School of Architecture, London
  Ice Storm, Kunstverein Münich, Munich
  I’d Rather Jack, National Galleries of Scotland, Edinburgh
  E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin
  Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London

2004

• Bazar de Verão, Galeria Fortes Vilaça, São Paulo
  Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna
  Curating The Library, DE Singel, Antwerp
  Schöner Wohnen (Living Nicely), Platform voor Actuele Kunst, Waregem
  Utopia Station, Haus der Kunst, Munich
  Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires
  Quodlibet, Galerie Daniel Buchholz, Cologne
  Trafic d’influences: Art & Design, Tri Postal, Lille
  The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich
  Einleuchten, Museum der Moderne, Salzburg
  Eclipse: Towards the Edge of the Visible, White Cube, London
  Black Friday: Exercises in Hermetics, Revolver, Frankfurt
  The Ten Commandments, Deutsches Hygiene-Museum, Dresden
  Drunken Masters, Galeria Fortes Vilaça, São Paulo
  Making Visible, Galleri Faurschou, Copenhagen
  Marc Camille Chaimowicz, Angel Row Gallery, Nottingham
  Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes
  Hidden Histories, New Art Gallery Walsall, Walsall
  Ulysses, Galerie Belvedere, Vienna
  Sans Soleil, Galerie Neu, Berlin

2003

• Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Sydney
  Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge
  Heiliger Sebastian: A Splendid Readiness For Death, Kunsthalle Vienna, Vienna
  Further: Artists from Wales, 50th International Venice Biennale, Venice; Aberystweth Arts Centre, Aberystweth; Glynn Vivian Art Gallery, Swansea and National Museum & Gallery of Wales, CardiffUtopia Station, 50th International Venice Biennale, Venice
  Adorno, Frankfurter Kunstverein, Frankfurt
  Galleria Lorcan O’Neill, Rome
  Independence, South London Gallery, London
  Addiction, 15 Micawber Street, London
  Light Works, Taka Ishii Gallery, Tokyo
  Someone to Share My Life With, The Approach, London
  The Straight or the Crooked Way, Royal College of Art Galleries, London
  Cardinales, MARCO, Vigo
  Edén, La Colección Jumex, Mexico City

2002

• Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel
  Mirror: Its Only Words, London College of Printing, The London Institute, London
  Shine, The Lowry Centre, Manchester
  My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen
  Lost Past/2002-1914, Merghelynck Museum, Ypres
  Screen Memories, Contemporary Art Centre, Art Tower Mito, Ibaraki
  Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe
  Void Archive, Centre for Contemporary Art, Kitakyushu
  It’s Only Words, Mirror Gallery, The London Institute, London
  ForwArt, Palais des Beaux-Arts, Brussels
  In the Freud Museum, Freud Museum, London

2001

• “Wales”: Unauthorized versions, part of “Welsh days festival”, Extended Media Gallery and House of the Croatians Artists, Zagreb
  Yokohama 2001: International Triennale of Contemporary Art, Yamashita Pier, Yokohama There is something you should know: Die EVN Sammlung im Belvedere, Österreichische Galerie Belvedere, Vienna
  Gymnasion, Bregenzer Kunstverein, Bregenz
  My Generation 24 Hours of Video Art, Atlantis Gallery, London
  Wir, Comawoche. Film Screening, Metropolis Cinema, Hamburg
  How do you change …., Institute of Visual Culture, Cambridge
  Bridge the Gap, Industrial Club of the West of Japan/Centre for Contemporary Art, Kitakyushu
  Dedalic Convention, Museum für angewandte Kunst, Vienna
  Zusammenhänge in Biotop Kunst, Kunsthaus Muerz, Muerzzuschlag
  Video Screening, Anthony Wilkinson Gallery, London
  The Stunt/The Queel, London Institute, RAMC, London
  What’s Wrong?, Trade Apartment, London
  Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna

2000

• Sensitive, Printemps de Cahors, Saint-Cloud
  Rumours, Arc en Reve Centre d’Architecture, Bordeaux
  La Ville, le Jardin, la Mémoire 1998-2000, The French Academy at Rome, Villa Medici, Rome
  Ever get the feeling you’ve been…, A22 Projects, London
  There is something you should know, Die EVN Sammlung im Belvedere, Vienna
  Out There, White Cube², London
  The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh
  The Greenhouse Effect, Serpentine Gallery in collaboration with The Natural History Museum, London
  Lost, Ikon Gallery, Birmingham

1999

• Group exhibition, Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin
  54x54, Financial Times Building, London
  Group exhibition, Galerie Neu, Berlin
  Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London
  La Memoire, The French Academy in Rome, Rome
  Fourth Wall, Public Art Development Trust, Royal National Theatre, London
  Essential Things, Robert Prime, London

1998

• How will we behave?, Robert Prime, London
  From the Corner of the Eye, Stedelijk Museum, Amsterdam
  View Four, Mary Boone Gallery, New York
  Ray Rapp, Tz’Art & Co., New York
  Close Echos: Public Body and Artificial Space, City Art Gallery, Prague and Kunsthalle, Krems

1997

• 7th International Video Week, Geneva
  Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, 1998-99
  A Print Portfolio from London, Atle Gerhardsen, Oslo
  Gothic, ICA Boston, Boston
  False Impressions, The British School at Rome, Rome
  Material Culture, Hayward Gallery, London

1996

• Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris and Centro de Exposições do Centro Cultural de Belém, Lisbon
  Against, Anthony d’Offay, London
  Some Drawings From London, 20 Princelet Street, London
  British Artists in Rome, Studio Casagrande, Rome
  Kiss This, Focal Point Gallery, Southend

1995

• Sick, 152 Brick Lane, London
  Stoppage, FRAC Tours, Tours
  General Release: Young British Artists, Scuola di San Pasquale, Venice
  Faction Video, Royal Danish Academy of Fine Arts, Copenhagen
  Future Anterior, Eigen + Art’s/IIAS - Young British Artists, London

1994

• Potato, IAS, London
  Olive Tree Installation, The Orangery, Holland Park, London
  Superstore Boutique, Laure Genillard Gallery, London
  People Must Bed God to Stop..., Performance at Fete Worse than Death, London
  Flux, Minema Cinema, London
  Liar, Hoxton Square, London
  5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno

1993

• Modern Medicine, Installation/event at the Barley Mow with Angus Fairhurst and Leigh Bowery in association with Factual Nonsense Gallery, London
  Speaking of Sofas, Tate Gallery, London and Gavin Brown’s Enterprise, New York

1992

• 240 Minutes, Galerie Esther Schipper, Cologne
  Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York

1990

• Sign of the Times, MOMA, Oxford
  Image and Object in Current British Art, Centre Georges Pompidou, Paris

1988

• Degrees of Blindness, Edinburgh Film Festival, Edinburgh
  The Melancholy Imaginary, In collaboration with Jean Mathee, London Film Makers Co-op, London

1987

• The Elusive Sign, Tate Gallery, London

1985

• Syncronisation of the Senses, ICA, London
  The New Pluralism, Tate Gallery, London

1984

• The Salon of 1984, ICA, London
  Artist as Film Maker, National Film Theatre, London

1983

• The New Art, Tate Gallery, London

1982

• Riverside – Film excerpts, BBC2 Television, London